New Materialisms SIG: Thinking about affect work to queer performance

In this session, we explored:

How affect features in queer performance –

and what does gender and sexuality have to do with it?

We were very excited to have guest presenter Assoc. Prof. Alyson Campbell from the School of Theatre, Victorian College of the Arts (University of Melbourne) to lead us on this curious and provocative journey.

And what a fantastic session it was!

A/P Alyson Campbell. Source: Wrecked All Productions

NM SIG Session Abstract

Artist-scholar-makers: Thinking about affect work to queer performance.

My understanding of affect draws on Brian Massumi and cultural theorist Jeremy Gilbert. I’ve built on this general line of thinking to explore more particularly concepts and strategies for queering performance. This all springs from working with Reza Abdoh in Los Angeles in the early 1990s, where I encountered live performance in a way I never had before. Abdoh’s play Bogeyman was dealing with the AIDS pandemic and it has taken me many years to try to find ways to articulate how its queerness was based on something far beyond its content; it was the experience of it, or, in other words, its affect. I’m still trying to understand that interrelationship in my own and others’ work. One strand of this links directly back to Reza in thinking about affect as viral (Viral Dramaturgies, co-edited with Dirk Gindt, 2018) and another strand is as erotohistoriography (Freeman, 2010; e.g. Campbell 2015). As an artist-scholar the whole thing converges in trying to find specificity in language for this (e.g. through musicology/musical thinking, e.g. Campbell 2012) and rehearsal/making strategies.

My question for the session is: What are the gaps in the discourse around affect in performance?

What we did in this session…

… er… how to summarise this session … is very hard… we did so much!

It is so hard to explain all we covered and what stuck for each of us. I loved how Alyson took the time to just think-out-aloud her ideas and explain her motivations, musings, work, and connections – for me, that was so interesting and inspiring (we so rarely have those personal insights as to the process-thinking that goes into academic and performance work!).

I did capture some of what we did, discussed, thought-with, and activated in this session in a few 100-word worldings I wrote from this session. Here are my worldings:

Seek the Affect mechanism.

Freefalling with A/P Alyson Campbell’s Queer Dramaturies. Director process(es) unfolding: pertinent theatre movements, Phenomenology, Massumi’s ‘Affect’, Gormley’s ‘body’s first way of knowing’, Gilbert’s ‘affective specificity’, and Epstein’s ‘shaping affect’. More important than describing affect (as end point), is seeking the mechanism by which it is structured. Not ‘supposed’ to talk about the ‘real’ journey/process/practice. Various maker book think-throughs: Practice-as-research (Practitioners), Affect Explorations (Theory), or Queer Encounters (Personal). More on intersectionality, form and hybridity… maybe queer hybridity? How long does it take for language to move? Pondering practice-theory as contagion or miasma. A juggernaut of multiple threads.

What’s missing in Affect.

With a new artist-scholar friend, we discuss what is missing in Affect. Thoughts disperse and range from uncomfortable school-based moments, to performance making, to the inescapable hard lines of capitalism, to points of deficit in myriad forms. A strong conversational start. Body sameness and what (im)presses. Someone mentions ‘anti-lack-thinking’. I like that idea. I settle into queering beyond what I think and know – and I’m excited by new viral suggestions. We talk of the joys of popping fuchsias and what is learned from migrating bodies. The importance of ‘accepting your in-thereness’ and of (missing) laughter. ‘Not just’ embodied jerks.

Bound up with affect.

I’m leaning into intense inquiries of somatic means and translations. Being led, hand-held, through body-emotion(s) that disregard mental training. I’m ‘bound up’ with affect, constipated by shifting ‘pulling a(part)s’. I’m intrigued by In your face theatre as an attempt to synthesize smaller audiences, funding, and affective capacities – and the aesthetics of what that might mean and do. I see inchoate segregised resistance, near-Punk tendencies, and pre-queering workings (t)here. Not just relying on arguments between characters or choreographies to drive dramatic interest. Activating experiential theatrics and what that actually means when working through ideas, bodies, and hearts.

Grokking 4:48 psychosis.

Moving within/without a binarized sociality bites. Invitations to re(un)see Amelia Carvello’s extraordinary bodies. Being crossed out and knowing the marginalia is where it is at. Meeting a lang-scape for the first time. Considering body-affect as thinking-of-performative ‘affect’, or as queer dramaturgy applied to worlding and how to shape it all. The ‘roomness’ of the room stands out. Grokking 4:48 psychosis. Theories only get you so far, but new meanings and makings lead naturally into methodological spaces, processes, loops, actions, ambiguities, openness and speculations. Uncovering universal ‘truth(s)’ of research-making becomings seasoned with psychological implications and pre-intentional purpose.

New Materialisms SIG: Thinking about affect work to queer performance. Bicycles Create Change.com 11th September 2021. — Image: A/P Alyson Campbell’s Expert Profile. Melbourne Uni.

Presenter Bio

Alyson’s main areas of research and supervision are in gender and queer theory/performance, directing and dramaturgy, phenomenological approaches to performance, social justice and disability in the arts. Alyson’s focus is around the representation of women and the nexus of queer theories and feminism. She is committed to developing modes of practice led/as research throughout her teaching at all levels. Alyson is a freelance director and dramaturg with an astounding 30-year career, and teaching credits that feature the School of Creative Arts, the University of Melbourne, Queen’s University Belfast and Brunel University, London.

For more of Alyson’s background, collaborations and performance work, a list of her publications here and some of her latest work like WreckedALL Prods (2020).

Readings

Gilbert, J. (2004). Signifying Nothing: “Culture”, “Discourse” and the Sociality of Affect. Culture Machine, 4. https://culturemachine.net/deconstruction-is-in-cultural-studies/signifying-nothing/

Freeman, E. (2005) Time binds, or, Erotohistography. Social Text, 23(3-4) pp. 57 – 68. (see attachment).

Campbell, A. (2016) Introduction: Queer Dramaturgies. Queer Dramaturgies, Spinger. pp. 1-26. https://link.springer.com/chapter/10.1057/9781137411846_1

See also Sexuality Summer School blog post: Theatre and the archives: Directing as erotohistoriograph –

Theatre and the archives: Directing as erotohistoriography

18/02/201904/03/2019

Bike Rave Melbourne – 2019 GOLD!

This time last year, I was down in Melbourne performing our roving performance The BioBike Your Future Thanks You! at the Sustainable Living Festival. This just happened to coincide with Bike Rave Melburn 2018 Pink Flami ngo – which of course I went to. I took the BioBike with me, met up with some mates and got amongst it at the rave. As always, we had an absolute blast! It was awesome being back in my home town, catching up with old crew, making new friends, checking out people’s wicked pimped out rides and cruising around Melbs as the sun when down to pumping tunes – all on two wheels (*sigh*).

Gold 2019 Bike Rave Melbourne. Bicycles Create Change.com. 18th February 2019. — FB: @Bike Rave AUS

Brisbane, my dear, when are you having a bike rave?

Sat 16th February was the 2019 GOLD – Melbourne Bike Rave!

Hells Yeah!!!

Thanks to everyone who sent through pics and well wishes – I missed being with you all this year…but was stoked to see such an awesome turn out!

Bike Rave Melbourne 2019 – GOLD

If you want to read an account of what happened on this year’s ride, Andy van Bergen wrote about it and you can read it here. Hilarious!

A massive thank you to Richard Garcia, who put this sweet little edit together.

If you have not been to a Bike Rave before – you need to go!

Each Bike Rave is a little different, but essentially, they all follow a pretty similar format which I have outlined previously.

As per the organisers instructions, here’s the Melbourne’s GOLD 2019 Bike Rave details.

“Dare to love yourself
as if you were a rainbow
with gold at both ends.”

Bike Rave is a free event – but we ask you to bring along a cash donation for charity Bicycles for Humanity. We will be collecting throughout the evening.

THE MUSIC:
We have curated a whopping 4.5-hour mix from some very talented DJ’s for this Bike Rave. The mix is full of pumping party tunes to keep you dancing all night long. You should download this and put it onto an mp3 player.

Download the mix here!

SOUND:
Bike Rave is a DIY event. Grab an MP3 player and put the mix on it. Bring your own speakers, build a sound bike, be creative! Need sound for your bike? Get a basket and some computer speakers, or head to Jaycar, JB-HIFI, etc to set up a self-contained set. There are some great solutions from $15, and some pretty impressive creations. Just remember to charge those batteries.

BRIGHT LIGHTS:
Think bright lights, reflective jackets, fluoro hair, glow sticks, EL wire, or anything else that flashes and blinks. This isn’t just about making sure that you look awesome, make sure your bike is pimped out also.

DRESS UP:
Gold, shiny, shimmer, bling, the ol’ razzle-dazzle. We want the Bike Rave to be a shiny shimmering mess as we ride along the river into the sunset.

THE ROUTE: Click here for the route

THE WEATHER:
If it’s nice out, we ride. If it’s cloudy, we ride. If it’s raining a little, we might ride. If it’s pouring, we don’t ride. Our speakers will get messed up. If you aren’t sure, show up anyways. Someone will be there from 5:30pm to let people know if the ride is canceled.

For any photos, videos or tweets use #BIKERAVEMELBOURNE

Bike Rave was founded in Vancouver but is shared around the world.

RAVE RULES:
There are a few rules that we would like you to follow to ride the rave. This makes it safer for everyone and avoids problems on the night. We’ve never had an issue in the 6 years of running this event, so let’s work together to keep it that way.

Protect Your Head
Stay to the Left
Stop at Lights
Ride Straight
Don’t Hate
Pack Your Trash
Don’t Get Smashed

IMPORTANT!
We are not responsible for your safety; YOU ARE!
We have done our best to ensure that the route is well lit and safe, but it does involve a little riding on the road and in the dark and past people. We should attempt to obey all traffic laws. If we get split up, we can rejoin at one of the several stopping points along the ride, so please stop at red lights and stop signs.

Bike ravers around the world unite! See you all next year!

22/02/201824/02/2018

Bike Rave Melburn – Pink Flamingo 2018

While I was down in Melburn (Melbourne) for a week performing the Bio Bike at the Sustainable Living Festival (SLF), Bike Rave Melbourne Pink Flamingo 2018 was held. I couldn’t believe my luck! Sarah came with me (her on a flower bike, me on the Bio Bike) and we had far too much fun. To the Melburn bike riding community: you are amazing, I miss you and thank you!

What is a Bike Rave?

For many people, bike raves are the most fun you can have on two wheels! Bike Raves usually follow a route through city streets while pumping out tunes from ‘sound’ bikes. There is usually a theme for each Bike Rave. Any and all riders are welcome (that’s the point!). They stop at predestined locations for a while to socialise, recharge, catch up and have a boogie – GOLD! Bike Raves are highly anticipated, well attended and wicked fun.

Bike Rave Melburn – Pink Flamingo

On Saturday, Feb 10th I rode in the Melburn Pink Flamingo Bike Rave. It was awesome. I would say there were at least 200-250 riders and I was blown away by the variety in the ages and styles of the riders (and bikes) that attended. There were young and old, families/individuals/groups of mates, tall bikes, cargos, art bikes, commuters, fixis, burlesque performers, couriers, bike polo teams.. the list could go on and on – there was everything (and everyone) imaginable!

It was wicked cruising Melbourne city in a massive gang of cool katz with cool music.

Riding along Southbank just after 7 pm meant that the Bike Rave were passing all the cafes, restaurants and bars at dinner time – on a Saturday night. They were packed. It was hilarious to see the reaction of diners and this massive line of pink, fluoro-wearing bike ravers passed them by!

Pedestrians and tourists stopped to gawk as well. People in cars were honking. At the lights halfway through, I got chatting to a father and son who were out riding along the Yarra River and convinced them to join us for an hour, which they did -and they had a ripper time and said they would be back.

I rode and chatted with heaps of people along the way. I love riding near the massive speaker bikes. Because I was riding the Bio Bike, people were offering me drinks all night (bless!) of which I only accepted once we had stopped. Navigating bollards (wings up!) and some of the tighter walking bridges was a little tricky, but other riders were happy to wait, helped out if they could and looked out for me on the road and footpaths. Bloody awesome!

It was super safe and super fun. And I danced my arse off!

I got extra kudos when bike ravers heard that I had come all the way from Brisbane for the event (well.. and the SLF). The Bio Bike was a smash hit – and I got extra points for flat-packing it down into a bike bag and travelling with it from Brisbane. Talk about bringing it to the party!!

I caught up with some familiar faces and also met some wicked new people. Everyone was super welcoming, happy and up for a chat. As the night wore on, lights were turned on. I saw packed dinners and food being shared along with drinks, compliments and laughs.

Around 8.30pm, some of the families started to filter back home, leaving the ragers to push on. The later it got, the more people were looking after each other, until we reached our final destination at Flagstaff Gardens where everyone parked it and hung out until they decided it was time to go home.

(*Sigh*)

Bike rave with an added purpose

Bike Raves are usually free events – but for this particular rave, organisers invited punters to bring along a cash donation for charity Bicycles for Humanity, which they collected throughout the evening. Given my PhD research and predilections of supporting community and international development projects – I was super impressed. Go Melburn!

Here is the official Melburn Bike Rave FB link.

How does the Sound/Music work?

Bike Raves are DIY events. You grab your MP3 player/phone and download the mix (for Pink Flamingo it was a curated a 4-hour mix). The mix is usually full of pumping party tunes to keep the crew bopping and dancing all night long and specifically made for the bike rave. KUDOS!

Just before you leave the meeting place there is a countdown so everyone can sync their music to begin at the same time. This means that where ever you are in the rave you are all listening to the pretty much the same thing (plus or minus 10-15 sec). It also means that if you arrive late, join in or miss the countdown, you can ask another rider what timestamp the track is up to and sync it that way.

For the Pink Flamingo Bike Rave, people had a range of sound setups. Some of the organisers, couriers and Christiana bike owners had especially large speakers setups. They were wicked! There were a few of these rigs dotted around and they really pumped out the tunes. They were awesome fun to ride with if you didn’t have your own music on board.

Other people had basket, booms or computer speakers zip tied to their bikes (or themselves!). There were some pretty impressive creations and some speakers were integrating into costumes, helmets and bikes.

Having a consistent power source and charging batteries was a key consideration for most speaker setups (as was size/weight).

The music for the ride was great! I’m still listening to the track now!

Here’s the Soundcloud link to download the 4hr Bike Rave track.

Image: @neaderstaal

Image above: Soundcloud

Where we went

Meet-up: Bike Rave Melbourne – Pink Flamingo 2018
Start: Saturday, February 10, 2018, 6:00 pm
Finish: Sunday, February 11, 2018, 12:00 am
Meet at: Riverside Skate Park, Alexander Gardens (parkland opposite side of the river from Birrarung Marr), Melbourne, Australia.

After meeting at Riverside Skate Park, we headed off at 7:00 pm.

Here’s the route we took.

Here’s the same route, but in Google Maps.

Other interesting titbits

There are a few videos on Youtube of the event – here’s an example:

Here is some of the info the organisers released before the event. I really dug their straight shooting and fun style of communication and promotion!

THE WEATHER
If it’s nice out, we ride. If it’s cloudy, we ride. If it’s raining a little, we might ride. If it’s pouring, we don’t ride. Our speakers will get messed up. If you aren’t sure, show up anyways. Someone will be there from 5:30 pm to let people know if the ride is cancelled.

DRESS UP
Pink Flamingo. Now that your bike is a shining beacon, time to fix yourself up. Dress in anything that’s pink. Flamingo, Pink, Flamingo, Pink, Pink, Flamingo. Pink. Flamingo. Sqwuak. One Legged Stand. Beaks Out. Pink Flamingo.

RAVE RULES
There are a few rules that we would like you to follow to ride the rave. This makes it safer for everyone and avoids problems on the night. We’ve never had an issue in the 6 years of running this event, so let’s work together to keep it that way.

1. Wear a helmet.
2. Get working bike lights.
3. Watch out for each other. If someone falls over, pick them up and see if they are ok.
4. Don’t be a dick to the public or Police. The public will most likely be confused. The Police have been quite understanding over the last few years, so don’t be rude. This could ruin the event and any future events.
5. Be safe and sensible when we are crossing at red lights.
6. Clean up after yourself – bring a plastic bag for your rubbish, we are not your parents – we ain’t picking up your shit.
7. Have fun

Check out more photos on Instagram using: #bikeravemelbourne #bikerave #bikerave2018

A massive thank you to the organisers, the riders and Melburn general public. A great time was had. Safe, super fun and a wonderful way to bring riders together and show city Melburn how fun riding bikes can be.

More Bike Raves, please!

This image from Soundcloud. All other images my own, a few pics are drawn from Freedom Cycling & Andrew Rance‘s Youtube videos of the event – thanks guys.

13/02/201803/09/2018

Bio Bike SLF 2018

It’s been an exciting last couple of days! After constructing the Bio Bike in Footscray with Pete and Tom helping me (thanks for being my random lunchtime saviours!), I put the frame on the bike Sarah had procured and all that was left was to put on the finishing touches. Then lunchtime Friday, I set off to ride the Bio Bike the 15 kms from Footscray into the city. I arrived at the Festival site on time, made some adjustments, got changed and then did the Friday night performance solo. Claire and Sarah joined me for Saturday and Sunday. Here’s what happened…

Bio Bike SLF 2018

We had a great time performing with the Bio Bike this weekend at Melbourne’s Sustainable Living Festival (SLF) 2018.

Check out our adventures and the awesome people the Bio Bike met on Instagram

Also see what else was on offer at the SLF 2018 on Instagram via:

So what did the Bio Bike do?

We were mainly located around the food precinct and near the Dome, which was great as there were always people milling about, we had more room to move about and we had much more shade than if we travelled up the guts of the display tents.

We met so many lovely people.

Essentially we asked people three things: 1. why they had come to the festival, or what they had seen at the festival they had liked; 2. what they thought was Australia’s most pressing environmental issue and finally; 3. what were they personally doing to help the environment and be more sustainable.

After chatting about this for a little while, we then said we wanted to award them an Eco Excellence Award for their hard work. We told them the background that each award was upcycled out of bicycles bits, inner tubes and found objects and was totally unique – just like they are! We would give them their award, then get photos with them wearing it.

The response was great.

I loved how different each interactions was.

We made a point of talking to people of different ages (young and old), cultures (from everywhere!), perspectives (some conservative, others super feral), lifestyle choices (urban, rural and some backpackers) – but each interaction was interesting and unique. It was an absolute pleasure.

I got to chat with Bob Brown on Friday just before he went on for the Big Debate. Then on Saturday, Claire, Sarah and I had a great time with Costa from Gardening Australia. (See picture below). Costa remembered Claire and I from our 2014 SLF Leki and the Ova show, and he spent ages with us chatting away, taking videos of us, introducing us to people and taking lots of photos. He is always a delight to catch up with!

Aside from meeting all the wonderful people we met, we got to hear about some amazing projects and ideas.

It was inspiring, humbling and reaffirming.

Claire, Sarah and I worked well together and had a lot of fun.

We wanted our show to be positive because talking about environmental issues can get the best of us down pretty quickly. We also wanted to inject some colour, humour and movement as most of the rest of the festival was stationary (ie stalls and stages), so it was great to have the freedom to roam around and be free to go along the river, up pathways and behind stalls. We found great people everywhere we went!

What needs modifying?

1. After the initial ride in and riding it for Friday’s gig, it became quickly apparent that we needed to make the pod higher. So on Saturday, we raised it and reinforced it where needed. This made being in the Bio Bike much more comfortable.

2. Before I left for the ride into the city, I ended up having to put in a modified splint/brace going from the back wheel to the sides of the tank to give the structure some rigidity and help hold the shape so it didn’t swing.

3. The seat had to be set at a certain height so that the rear of the shell didn’t rub on the back wheel. However, this meant that is was precarious for Sarah and Claire to ride the bike and difficult for them to put their feet on the ground to stop/start riding (we had one serious mishap from this). So an alteration is needed so that we are able to lower the seat as needed.

What we learnt

1. Make sure any lighting, cable ties or decorations do not infringe on the handlebars turning or gear leavers. On Saturday night, we strung up lighting all over the pod. It looked amazing! I had to do a quick gaffer job as loose cables started catching when I turned the handlebars and it made navigating tricky and potentially unsafe – but it was easily rectified.

2. We had an interesting discussion with one festival-goer who asked us if we recycled the cable ties. We explained that the pod screen was recycled from a previous project and that we did reuse the longer cable-ties. She suggested that we could use wire to link the bottle top pod together instead of cable-ties, which I thought was a great idea. I’m looking forward experimenting with this suggestion.

3. I am so glad we carried extra gaffer tape, cable ties and scissors – lifesavers!

4. People really appreciated the Eco Excellence Awards. It made me so happy to see how stoked they were to find out that each one is custom-made out of recycled bike parts. I was also super happy to hear people talking about the Awards and the Bio Bike while I was not performing. I overheard people waiting for food and in the beer tent chatting about cool stuff they have seen at the festival, showing their mate the Award they had received from us and saying that they had fun interacting with our performance. Best compliment ever!

Would we do it again?

Hells yeah!

Thanks to all the awesome peeps who made our time amazing!

A massive big thank you to those involved in making the SLF happen, Simon and Andrea in particular. But also all the other volunteers, exhibitors and crew we met.

The SLF crew was so supportive, helpful and encouraging. Thanks so much for having us as part of your team!

To the punters who came up and chatted – thanks, for your energy, stories and time – it was truly a blessing to meet you all, spend some quality time to connect and hear what you have been up to.

And a big salute to City of Melbourne for putting on such an important event. It was great to see the community coming together to discuss such critical issues that affect us all.

Melbourne … you Rock!

09/02/201812/02/2018

Bio Bike: Your Future Thanks You!

This post shows how we constructed the Bio Bike frame into our second performance model, Your Future Thanks You.

See the last couple of posts for first Bio Bike Model: The Eco T(h)anks.

This is the model we will be using for this weekend’s Sustainable Living Festival. I can’t wait!

Click here to get the Festival Highlights Program.

Here’s the listing for our performance from the Festival Program.

Sweet!!!

I am super happy we were forward-thinking enough to make the Bio Bike frame modular. And now that we have two different tops that we can interchange, it makes the Bio Bike frame so much more versatile.

Currently, we have two tops we can use for two different performances.

The Eco T(h)anks and the Eco Protection Corps
Your Future Thanks You

So, it has been all action stations to get the Bio Bike frame that we previously constructed as the based for the Eco T(h)anks into the Your Future Thanks You.

Construction started, of course, with our Bio Bike base…

Claire had done an amazing job bending the PVC piping to shape the pod shell.

We wanted the pod to look a little comical and dinky.

We both agreed that we didn’t want a fully polished piece, we liked the home-made-any-one-can-do-this feel. We also didn’t want to over-engineer, complicate or over-decorate the pod. The whole point was that it was grassroots and fun.

We also wanted people to be able to see that it was clearly made out of recycled materials and that it wasn’t ‘perfect’ – and didn’t need to be to be super fun!

Claire had a previous artwork that we refashioned to be the back of the pod. The green section gave it a bit of colour and we decided to let it flop at the front because we liked the odd and unruly look of it – made you think that there is no way this thing could fly – which was perfect!

The pod shell was constructed out of recycled PET bottles attached together. I then lay it over the pod and zip tied it to the pod frame, while Claire was working on the wings.

Then, Hey Presto! The wings were ready.

Now, all we have to do is attach the propellers and put it on the bike!

I’ll be riding this Bio Bike from Footscray into Federation Square – just as I did for our 2014 SLF roving performance, Leki & the Ova.

I LOVE doing this!

It is a great way for the bike structure to settle in, I get to see if there are any last minute adjustments needed, and it is great to go whizzing by the poor unsuspecting public and see their faces! Honk! Honk!

It makes me super happy to ride our art bikes to the festival site. It gets me in the happy, bikes-are-awesome mood and this awesomeness is carried over into when the performance starts as I am already primed for fun!

Unleash the beast!

Here is the final Bio Bike…

Here’s our listing on the event program below!

See you all there!

05/02/201810/02/2018

Constructing the Eco T(h)anks

I’ve been working on the Bio Bike Project for the last couple of weeks. The Eco T(h)anks is the first of two models that will share a similar frame, but have a different (modular) top that is interchangeable depending on the event. The second variation is Your Future Thanks You, which has a UFO-style top (see next post). Given the sustainable focus of the upcoming SLF, where this project will perform, it looks increasing like we will use the Your Future Thanks You model for this weekend. However, the Eco T(h)anks was the first to be constructed as a prototype. So this post outlines the frame and how the top section of the Eco T(h)anks was made. Enjoy! NG.

See our Instagram for more Eco T(h)anks construction stage photos.

Constructing the Eco T(h)anks

The previous post explained the conceptual background and aims of this Bio Bike model, the next step was to turn these plans into reality.

Stage 1 was undertaken in Coolie’s fabrications workshop in northern NSW (Cheers Coolie!) and subsequent stages completed in my backyard in Brisvegas (Brisbane). Claire did a great job of spray painting, attaching the turret and decorating the outside.

There is still a bit more to do to complete this piece. It is great to have all the main hard work out of the way and get a better sense of what the final structure could looks and feel like. And now, only the fun bits are left to do!

Here’s how it came together…

Stage 1: The Frame

The first stage was to use a general purpose bike to get a sense of dimensions and scale. Then we cut a pattern for the side panels out of 5mm white corflute. This was double layered in alternating directions and the central seam was designed to interlock on the inside to help with rigidity.

Two sizes of recycled PVC piping we cut to make the square frame. This frame is what the side panels will had from.

My main concern here was to make the sides easy to flatpack down (for transport in a bike bag) and easy to assemble.

Of course weight, balance and manoeuvrability were key issues.

I didn’t want to the structure to be over-engineered or overly complicated to make. I had limited time, money and access the to workshop – so this meant being productive and innovative to get an outcome with the resources at hand.

As well as fashioning four custom-made hangers to attach and support the side panels, zip ties and gaffer tape were the order of the day to attach the base to the bike.

It was important to intermittently take the bike for a test run to be sure that it was still functional as a bicycle as well as relatively easy to use re: turning, overall weight, balance, getting on and off, safety, bump in/out transportability, and the like.

The last task was to make the turret and the barrel.

The front piece of the turret needed to be made of a stronger metal/resin material so that it could hold the weight of the barrel.

The barrel was carefully measured so that it did not go out too far (for safety and weight reasons), but far enough so the effect ‘barrel’ was achieved

The next challenge was how to attach this to the handle bars.

Stage 2: Eco T(h)ank base structure

Then it was time to head back home to Brisvegas for assemblage.

First step was to reconstitute the frame and the get the front of the turret on the handlebars – this took a little ingenuity. Claire ended up using a wire frame (used in fridges for wine bottles) and attached that to the back so there were points to lash zip ties to the bike – it worked a treat!

Then it was time to use 2mm black corflute to wrap around the side panels to simulate tracks (this effect will be developed further at a later stage) and to enclose the front and back of bike, whilst being mindful of how we get on and off the bike.

A few well placed large cogs of bike cassettes were screwed on meant overlay points were more rigid, helped with stabilising the structure and added a strong recycled aesthetic – which I thought worked really well.

And the final basic structure is complete!!!

The wheels turn freely and I can ride the bike unhindered.

The structure is light and versatile enough to be transferred to any kind of bike frame.

It still needs some decorations and external work done, but I’m very happy with the base structure!

Overall it took 3 days to make.

Thanks so much to Coolie, TK and Claire for their direct input, time, ideas and labour!

I really enjoyed doing this project as I got to use materials and tools that I have not used before. This was one of the main reasons for undertaking their project – to develop my technical skills and be a little bolder in what I envision and can produce – and I am delighted with the result!

The next post will show how we modified this base with a different (modular) top to make the Bio Bike Model 2: Your Future Thanks You.

See our Instagram for more Eco T(h)anks construction stage photos.

01/02/201807/02/2018

Project Bio Bike & the Eco Protection Corps

Bicycles Create Change’s Eco T(h)ank Concept for the 2018 Sustainable Living Festival.

Project Bio Bike & the Eco Protection Corps

Next week, I will be down in Melbourne for the Sustainable Living Festival (SLF) – Big Weekend.

With two other collaborators, Claire Tracey and Sarah Cole, we are putting on an Bio Bike roving performance for Sat 10th and Sun 11th Feb.

Here’s a little more background and detail about the project.

Initial Concept

The original inspiration came from the old armed forces morale-boosting concerts – and the recognition medals for services, commendable action and extraordinary achievement. Our spin is to boost morale AND award our own Bio Medals (all of which I have personally made out of recycled bike parts, inner tubes, discarded jewellery and other found objects) but these are for services to community members for environmental and sustainability services and action.

Inspiration adaptation

We are the Eco Protection Corps (EPS).

There are three performers – a brunette (me), a blonde (Claire) and a redhead (Sarah) – so the first idea was that there was one person for each ‘armed’ corps – Army, Navy and Air Force.

Each performer would research and give out enviro and sustainability awards and recognition medals that correlated with their ‘Eco Force’. For example:

‘Army’ for land, soil and rubbish management, flora and fauna, housing, urban and contested spaces, biochar, erosion, gardens, composting, recycling, etc.
‘Air Force’ for air quality, air emissions, atmosphere pollution, acid rain, storms and extreme weather events, climate change/ozone issues, birdlife, etc.
‘Navy’ for water quality, water use and conservation, desalination, plastic ocean pollution, fish and sealife issues, Great Barrier Reef, coral bleaching, oil spills and waste water control, etc.

Project Summary

The Eco Protection Corps (EPC) is a bike-powered, environmentally themed performance taking place at the Sustainable Living Festival in Federation Square. Roving members of the Eco Corps will ride an Eco T(h)ank bike around the festival, handing out medals awarding excellence in environmentalism and sustainability.

The Eco T(h)ank bike and the medals of excellence are made
from predominantly up-cycled and recycled materials.

The aim of the project is to generate positive reinforcement around individual environmental action and to remind the public that ‘an army’ of sustainable frontliners is made up of many individuals creating positive change towards global sustainability.

This project aims to promote, encourage and recognise the thoughtful environmental action taken by local community members.

The Eco Corps Bio bike , or Eco T(h)ank, and performance is a reaffirming, fun and direct way to celebrate with the wider community and array of positive, creative and personal eco action.

It is our aim that this artwork will create interest, discussion and education around the need for sustainable action and will explore creative and innovative ways this can be achieved.

The Eco T(h)ank

The idea of the Eco T(h)ank is to use the well-known tank as a motif of the strength and force needed to address these environmental issues – and jell that with the community-based involvement for sustainability theme of the Festival.

The bike is instantly recognisable as a ‘Tank’- but most importantly, we are keen to promote the positivity and ‘green-ness’ of this project.

So we will have modifying the tank shell to be an Eco T(h)ank – so it is clearly distinguishable as a representation of the Environment (Eco) thanking (Thank) people who have progressed and ‘fought’ to protect the environment and progress sustainable practices.

Achievement Medals

The performance and distribution of ‘Environmental Excellence Medals’ represent the awarding of present achievements and services rendered, as well as involving the general public in the show and helping to build a sense of unity, pride and camaraderie for our precious community and environment.

Our performance is based on interacting with the general public and discussing sustainability issues with them (participation, education and promotion). During this, we will ask people what they have done to support sustainable living and use that as they basis to present an award to that person.

This way the awards are impromptu, individual and fun. Participants also get to keep a unique trinket from the Festival as a memento.

We hope that doing so will encourage even more positive sustainable practice – as well as discussion and recognition for small acts of environmental kindness that might have otherwise gone unnoticed.

Project considerations

There are a few project considerations, but some of the key ones are:

budget
collaborating with 3 interstate performers (QLD, NSW & VIC)
emphasising the Eco not the militaristic intent/aesthetic
being respectful of armed forces personnel and possible issues
being sure the bike shell (Tank) can flat-pack down and be transported in a bike bag easily for flights
overall size and usability – getting on and off the bike
manoeuvring the T(h)ank around a crowd and limited space
avoiding damage and wear-and-tear to the T(h)ank during performance
storage for the Sat night
deciding who/when rides the bike and how the bike stands with/out people

Initial Conceptual plans for the EcoT(h)ank

Here are the three first concepts for the tank. The first idea was to have side wheels (too much space and too much work).

This morphed into having a side brace (part of this idea made it into the final design as the tank side panels).

The third idea was to have a turret and barrel where flowers can burst out of (so Banksy!). One idea for this was to mount only the barrel on the handle-bars so the barrel would swivel to point where ever the bike is pointed. But for safety and stability, this idea ended up being simplified so that the whole section was one piece mounted on the handlebars – the effect was the same, but was much less fiddling around.

Once this general plan was decided, attention turned to how to construct it so it could be flat-packed for quick and easy re/dissembled and so that the whole thing could fit into a bike bag for interstate transportation.

After much deliberation and checking of materials and finance, here is an overall plan for the T(h)ank aesthetic, size and design.

The last week has all been about making this structure and see what works and can be do during the construction of this plan.

See how it all turned out in the next post!

28/01/201807/02/2018

Sustainable Living Festival – Bio Bike ACCEPTED

Image: SLF 2018

Hey, bike nuts! Welcome back!

The last week has been super crazy getting ready, because…

A while back, my regular creative collaborator and friend Claire Tracey and I put together a roving performance idea and application for the upcoming 2018 Sustainable and Living Festival (SLF)- and we got the news it was successful!

Sustainable Living Festival – Bio Bike ACCEPTED

The Festival’s Program Coordinator Big Weekend emailed:

Thank you for your Festival application. We are pleased to inform you that your event application has been accepted! The team at the Sustainable Living Festival are delighted to have your event as part of our program.

Woohoo!!

So, we are heading to Melbourne to perform the Bio Bike at the 2018 SLF!

Previous SLF adventures – Leki & the Ova

The phenomenal Claire Tracey and I have previously collaborated for the 2014 SLF, where we created the roving performance/art bike Leki & the Ova.

This project used Leki as the basis for a pedal-powered no-money/barter/trade/swap, mobile op shop. It was sooooo much fun!

Leki and the Ova will be very familiar to regular BCC readers, given it is immortalised as the central feature image for the Bicycles Create Change homepage.

We roved the Festival and went out twice a day. We had a brilliant time and were a roaring success – the punters loved being part of it … and so did we!

It was a wicked project to make and present – and Claire and I knew we worked well together and have since joined forces on a number of ventures.

So we threw our hat into the ring for this year with our concept of the Bio Bike … and hey presto! We’re in!

So, no time to waste – we have to get organised!

But first a bit of background.

What is the SLF Big Weekend?

In it’s own words, the Festival’s signature Big Weekend event will be staged between the 9th and 11th of February. Held in the cultural hub of Federation Square and Birrarung Marr, the Festival’s Big Weekend showcases the main attractions of the Festival’s calendar.

Featuring interactive workshops, talks, technology demonstrations, art, film and live performance pieces (of which our roving Bio Bike performance will feature! NG).

One of the main attractions of the Big Weekend is the Exhibitors Market featuring over 100 exhibitors, including vendors showcasing the very best of organic food, beer and wine. Ethically-sourced clothing, sustainable building designs and gardening options will also be on show.

Treadlie and Green Magazine will be back to host the always popular Treadlie Bike Hub, with bikes, accessories and even a test track to help you make the switch from horsepower to human-power.

Click here for a sneak peek at the SLF guide highlights.

Our Bio Bike Project Aim and Overview

As an arts collective, we aim to educate, encourage and empower participants to seriously think about their ability to affect positive environmental change.

Our event is focused on raising awareness about the necessity of transitioning to a ‘below zero emissions’ society and examines creative solutions to creating this widespread societal change as soon as possible.

The Bio Bikes roving performance uses positive reinforcement and humour to create public awareness about climate change and encourages viewers to participate in the performance by interacting with the sculptural bikes when they are stationary.

Next steps…

So, it has been action stations to get the foundations organised and prepped for the Bio Bike. We already have a clear conceptual plan of what we want the performance to entail, but it is the props and bike itself that requires time, skills, materials and construction. With the Festival fast approaching, the making of the Bio Bike is a top priority.

So, I’ve been away for the last 5 days visiting a dear long-time friend, called Coolie, in northern NSW. (No internet there, hence the delay in uploading this post- sorry!). Coolie’s technical expertise, insight and fabrication workshop was invaluable in constructing a Bio Bike prototype which will be a major part of our roving performance.

The next couple of posts will be tracking our project development as we refine and work on the Bio Bike, props, costumes and production.

Stay tuned to see how it unfolds – and if you are in Melbourne, we’ll be seeing you at the Sustainable Living Festival in a couple of weeks!

Image: SLF 2018

13/07/201703/11/2017

Melburn Roobaix 2017

This in-depth, insightful interview and event guest post comes coutesy of the every effervescent and thoughtful @BettyLillowaltzen. Betty is an Artist, Educator, Keynote Speaker and all round amazing soul. This is a wonderfully comprehensive and enlightening discussion of one of Melbourne’s most loved (sub)cycle-cultural ‘bumpy’ urban rides – the Melburn Roobaix. Thanks to Betty Lillowaltzen for her time and effort in painstakingly interviewing all the key stakeholders, event organisers, riders and participants that went into producing this post – the extra details make this piece an extra rich and wonderful read! Mwah BL!

A quick survey of the Melburn Roobaix crowd and there is something immediately obvious: women!

Why does this adventure around Melbourne’s laneways enjoy the most gender diversity of all bike events in Australia?

“I’m in!”: my response to Zane Alford’s invite to join him and Wookie in the 2017 Melburn Roobaix. I hadn’t needed to hesitate as I knew that my complete lack of bike fitness was in no way a barrier to fun in the famously costumed ride, nor was my 1980s chevvy heavy stainless steel Malvern Star. Roobaix skills are seemingly more centered around an ability to decorate oneself and bike, eat and drink and look really silly; I’d be a natural.

That Melburn Roobaix was not going to be (in Andy’s words) “a sausagefest” as so many other bike events are, but instead a celebration and a great day out void of competitive elitist vibes I was certain of, but what I wasn’t so sure of was why? Inspired by the rise of women’s sport and, better yet, the rise of women within sport, I wanted to know how the Roobaix has evolved to be the most gender inclusive cycling event in the country (according to a recent survey by Cycling Australia).

Two questions burned: were the organisers conscious about involving women? and if so, how did they go about getting women involved?

Melburn Roobaix is a creation of Fyxo, the family company run by Melodie and Andy White. I knew Andy from back in the ol’ days when I worked for messenger bag company, Crumpler. I met him 15 years ago after an Ally Cat at The Public Bar: two years after the lock on the womens’ toilet door broke and at least nine years before it would get fixed; in the days of $1 pots of Geelong Bitter on a Monday, Punk bands and bestickered fixies piled along O’Connell Street. Andy was fancy dressed but still sporting his ‘Ask me about the weather’ badge, and talking with some couriers and female riders – even back in 2003 he was recruiting women to ride. He suggested that I ride in the next Ally Cat and I felt momentarily convinced that this would be a good idea but didn’t think I was up to splitting traffic on a fixie to keep up with Melbourne’s maddest riders.

Encouraging people to get on a bike has always been a talent of Andy’s, as is having a yarn, so I felt comfortable picking up the phone, not having seen each other in 8 years, to ask him some pretty pointed questions about women in cycling, race, LGBTIQ+ inclusion, men’s clubs and elitism in sport. He answered all my questions with grace, humour, references to anti-establishment, mutual outrage and added some radical plans.

I was not surprised at all that encouraging the participation of women in the Roobaix was intentional, or that this year’s event also took place during World Pride – though this was underplayed, Andy reflected on being really quite chuffed that there was a turnout of transgender people this year and that as the ride becomes more community oriented it increasingly represents our whole community (though the lack of racial diversity is still quite apparent at all bike events and a challenge for the future).

So how did they do it? Andy reflected on the first year of the Roobaix, explaining how “a guy showed up with all the gear, he had a Garmin and had worked out the fastest route which was mainly on roads and which was pretty unsafe.” He and Melodie wanted to make it less of a race and move away from the tricked out, almost exclusively male lycra crew, so they just eliminated a first place prize. “We are more excited about the costumes and the turnout and having someone show up dressed as a banana”, he explained.

It’s important that everyone is safe. A sad reality of bike events around the globe is the inherent risk of traffic and obstacles, though organisers are always looking for ways to make cycling safer for everybody: as Andy says, “every event where no one dies is a good event”. The dangers of riding are all too familiar to the White family, as in 2007 Andy suffered a broken neck. Though he was lucky to be able to be back on the bike within a week of removing the halo, they had developed a new appreciation of the risks of riding. Andy was emphatic that making an event less competitive did help to attract a broader demographic, but that he in no way considered female riders to be non-competitive. While for many people the Roobaix is the first organised ride that they participate in, there are plenty of female riders who go on to compete in timed events and women who are already riding competitively.

Bike racer, writer and blogger Verita Stewart is one such rider. Verita had been a regular bike commuter, but it wasn’t until moving to Melbourne from country Victoria a few years ago that she joined other riders and started to compete. Verita was able to identify other reasons that the participation in the Roobaix was so high and diverse: “You can ride on any bike. This weekend is the Grand Fondo and you can’t just rock up on a mountain bike or a cruiser or BMX or tandem or recumbent or folding or narrow bar fixie or adult trike or city bike or hybrid. Each event requires a really specific bike and kit and for many people that’s a barrier. Wearing lycra is also enough for some people to say ‘that’s not for me’, and I know that some of my friends have not participated in other events because of that”. Melburn Roobaix was one of the first events that Verita rode in and each year she met more people in the cycling community and brought more friends along, many of whom wouldn’t identify as bike riders. “I know that tennis isn’t for me. I can’t hit a ball to save my life. Cycling as a sport isn’t for everybody either. The Roobaix is more of a community event than a race though, it’s more about being in a big community and maybe putting on a cossie and exploring places you haven’t been before, and that’s why so many people say ‘I could do that’.“

The types of costumes that people wear are usually naive and silly and we don’t see the kinds of sexualised costumes that people wear to other fancy dress events. I asked Verita how she thinks the Melbourne Roobaix has developed its particular style? “Well, it’s a really family and community event so I think that if you showed up dressed in a French maid’s costume you’d just feel like a bit of a twat”. Not many of the other bike scenes have been as progressive, and we spoke for some time on what we thought caused some of the costs, perceptions and gender inequality that are still so prevalent at other events and which form real barriers for people entering cycling as a sport in all its various forms.

Personally, now in my mid-thirties, I’m more active than ever: not the most fit that I’ve ever been necessarily, but I find myself enjoying a greater variety of sports than I ever have before and participating with less and less trepidation. I regularly surf with other women and it’s been exciting to paddle out each weekend and see sisters lined up along a break. It’s more than just exciting, it’s inspiring and exhilarating. We often joke about approaching middle age and just starting to have the childhood we wished we’d had if we hadn’t felt so discouraged from having a go. Imbued with the excitement of events like the Roobaix, WAFL, surfing and the power of staunch advocates and idols such as Serena Williams, I am excited for a new generation of women.

We still have such a long way to go but already the surge of excitement around women in sport has had a distinct effect upon me.

Where I may once have said “I’ll get back to you”, I now say “I’m in”.

For a great collection of event pictures see FYXo’s Melburn Roobaix Flickr Album.

Or see up to 342 great images from event photographers Michael Christofas / Peter Tsipas 2017 Melburn Roobaix Flickr.

Thanks for the invite @ZaneAlford. See you all at #MelburnRoobaix2018 !!

*All images coutesy of photographers as per watermarks. All pictures included with Fyxo permission.

03/07/201710/07/2017

Farewell to The Squeaky Wheel

A few days ago, Melbourne’s beloved community bicycle engagement project The Squeaky Wheel announced it is closing after 6 glorious years in operation.

The Squeaky Wheel was a much loved proponent in progressing Melbourne’s bicycle community.

For those who do not know about this organization, it is well worth the effort to check out the creative and popular events, rides, initiatives and programs that were organized by The Squeaky Wheel – a very impressive and influential range!

Leaving behind a wonderful legacy and example for others

So this post is a homage to the amazing work that Pip Caroll and the whole Squeaky Wheel team (and their partners) have achieved over the years.

This venture was truely a community-driven organisation that had community and positive cycling for all as its core.

Although it is sad to see The Squeaky Wheel close and I will miss supporting their events (as will thousands of others), The Squeaky Wheel leaves behind a wonderful legacy and example for others to follow.

A massive range of community participation and bike-inspired projects!

Over the last 6 years, The Squeaky Wheel has managed and produced an impressive array of bicycle participation, projects and advocacy campaigns. Their volume, scope and range speaks to the passion and commitment of those who made it all happen – events like …

Even though the main umbrella is retiring, a number of their popular projects will still be operational – hooray! I am delighted to see that a number of their projects will still continue such as Roll Up (who have also taken over Bike ‘n Blend) and the sensational Pushy Women annual event is also set to continue. Pushy Women is a great event where a panel of well-known women tell their stories about bikes, bike riding and cycling. This show is always peppered with moments of empowerment, hilarity, poignancy, nostalgia and thought-provoking experiences – always a top event. I’m happy to hear that this event will continue.

But others will not continue. So in memorandum, here is reminder of the plethora of The Squeaky Wheel events, rides and tours that have been put on over the years – incredibly prolific community engagement!! I’ve listed the events below (you can find out more about each event at their website), to get a visual gauge of how productive this collective was – and to showcase the range, dedication and scope that The Squeaky Wheel is revered and loved for. Their events list is humbling.. check these beauties out….

Adios The Squeaky Wheel!!

As a final adios to The Squeaky Wheel – below is a 4′ 39″ video of their 2012 (3 week) Melbourne BikeFest- which was just one of many of their amazing events over the years – but one of my personal favourites!

For all those involved with The Squeaky Wheel will miss you, thank you for all your amazing work over the years. We wish you luck for your next riding adventures!

See more videos of The Squeaky Wheel events here.