Along with Dr Sherilyn Lennon, I co-convene Griffith University’s New Materialism Special Interest Group (SIG). New Materialisms (NM) is an emerging post-qualitative research approach that has a significant take up in education, queer and gender studies, environmental science and arts-based disciplines in particular, but is gaining traction more widely as well.
The aim of this SIG is to provide a supportive space for GIER students, ECRs, mid-career and more senior Academics to explore, discuss, experiment and share complex and emerging post-qualitative ideas, methods and approaches.
Our SIG meets once a month and we have over 30 members Australia-wide. For the first 2020 session, I presented some of my African bicycle fieldwork. But then COVID-19 lockdown happened, so we had a month break. This is our first session back – and we were all delighted to be back in action again!
For this session, we discussed 3 papers and one of the most essential questions plaguing NM What is ‘new’ about New Materialisms? and then had a presentation by Dr Natalie Lazaroo (Griffith Uni, Theatre Studies).
The Readings
The first two papers (Monforte, 2018; Banerjee & Blaise, 2013) are advocating for NM as a new way of thinking about research and the other one is pushing back saying it’s all been done before and there is nothing new to see here (Petersen, 2018).
For this SIG we had 3 readings
- Monforte, J. (2018). What is new in new materialism for a newcomer? Qualitative Research in Sport, Exercise and Health, 10(3), 378-390.
- Banerjee, B., & Blaise, M. (2013). There’s something in the air: Becoming-with research practices. Cultural Studies – Critical Methodologies, 13(4), 240-245. doi:10.1177/1532708613487867
- Petersen, E. B. (2018). ‘Data found us’: A critique of some new materialist tropes in educational research. Research in Education, 101(1), 5-16. doi:10.1177/0034523718792161
In the session, we provide a spectrum: on one end ‘nothing new’ and on the other end ‘everything is new’
We invited participants to take a position on this spectrum and be ready to justify your answer/position. People could positions themselves into a any camp. And once people had contributed their ideas to the spectrum, we talked about the positions and the reasons why we had taken that stance. We used the readings to inform our opinions, ideas from elsewhere/other scholars, experience and other ideas to help explain why we chose that point and to better understand where other people were currently positioned.
The aim of this discussion was to plumb what’s new about NM and see what makes sense to the group.
Following this discussion, we had a presentation from Dr Natalie Lazaroo.
Dr Natalie Lazaroo – Vulcana Circus: Stronghold
In this session, Dr Lazaroo returned to her PhD work (two years ago) to untangle the mess to make new discoveries. She reflected on her early methodology and locates a poem titles ‘Expressions of longing’ which she wrote in response to NM SIG provocations.
This return poem captures the essence of articulations that emerged during her artistic collaboration over a 4-month period of fieldwork with Vulcana Women’s Circus to create a community performance called Stronghold, which involved people with disabilities.
Natalie’s presentation was a real highlight – hearing about her work and research highlighted many NM tensions and opportunities. The group was blown away when she shared her poem which was evocative, agential and very moving. The conversation that followed was interesting, insightful and unexpected.
We all left this session deep in thought about these NM approaches might relate to our own work and in awe of the amazing work Natalie and Vulcana does.
I can’t wait to see more from both!
Stronghold
Stonghold was a project run in conjunction with Horizons Respite and Vulcana Women’s Circus. This partnership 16-week workshop program culminated with a final performance called Stronghold which engaged 10 Access Arts members. During this project, participants had the opportunity to learn skills puppetry, performance, circus and theatre. Stronghold was performed as part of Access Arts 30th Anniversary celebration at Brisbane Powerhouse.
Vulcana
Vulcana is a Brisbane-based circus that was established in 1995 to counter a major discrepancy between women’ and men’s experience of circus, both in training and in the expectation of how and what they perform. Vulcana now welcomes women, trans and non-binary gendered adults, kids and teens of all genders, to its inclusive circus training, performance making projects, and community engagement programs. It is an incubator for new, emerging and professional artists who have developed their passion as practitioners, performers and teachers in this art form that offers everybody a place to explore their uniqueness and their creativity. Vulcana respects diversity and the feminist principles of equity and inclusion which are central to all our work and the starting point for engagement with students, participants, communities and artists.
