Dissident Bicycles (Part 3): Oz Asia Festival ‘Shedding Light’

In this post, we continue our August 5-part series written by Laura Fisher exploring how bicycles are used as a dissident object in contemporary art. The first post looked at Ai Weiwei’s most iconic bicycle-based artworks ‘Forever’ and the second detailed the ‘reversed engineered’ bike project ‘Returnity’ by German art duo Elin Wikström and Anna Brag. Here we look at the incredible collaborative illuminated bike-light-culture- performance ‘Shedding Light’ from Tutti Arts Oz Asia Festival 2015. Enjoy! NG.

Dissident Bicycles (Part 3): 'Shedding Light' Oz Asia Festival. Bicycles Create Change.com 17th August 2020.

Shedding Light – Tutti Arts & Oz Asia Festival (2015)

We left off the previous post on the ‘reversed engineered’ bike project ‘Returnity’ by German art duo Elin Wikström and Anna Brag, with the idea that experimentation can be used to engage cory and mind in such a way as to galvanise both personal autonomy and social affinity.

This was further demonstrated by the Shedding Light project that featured in the 2015 OzAsia Festival in Adelaide.

Shedding Light was a two-year collaboration between Tutti Arts, a multi-arts organisation for artists with a disability in Adelaide, and Perspectif, a sister organisation in Yogyakarta 2013.

Among the many mediums through which the artists explored the Indonesia–Australia relationship were creatively constructed carts inspired by the Indonesian kaki lima (street vendor carts), and vehicles inspired by Sepeda Lampus, the four-wheeled pedal cars augmented with neon lights and sound systems hired out at the Sultan’s Palace square in Yogyakarta.

This part of Shedding Light was realised in collaboration with James Dodd, an artist who has long engaged in bicycle modification as part of a practice concerned with informal and incidental forms of public creativity.

Dodd fabricated the pedal cars using two bicycles so that they could accommodate a Tutti artist, a support companion and a passenger.

The neon light frames were modelled upon designs created by three Tutti artists: a unicorn (William Gregory), a shark (Joel Hartgen) and a three-headed snowman (James Kurtze).

Dissident Bicycles (Part 3): 'Shedding Light' Oz Asia Festival. Bicycles Create Change.com 17th August 2020.

Over several nights, passengers would be taken a short distance around the Adelaide Festival Centre Plaza to a special location where a short performance by another Tutti artist was staged for them.

Like Returnity (see our previous post Part 2) , Shedding Light involved modifying bicycles to facilitate a creative social intervention, in this case tied to the aim of enhancing the visibility of Tutti artists.

As Dodd relates, what made the project so rewarding and unusual was that it created intimate encounters between festival audiences and the Tutti artists out in the streets, far from the organised formality of ticketed events.

Dissident Bicycles (Part 3): 'Shedding Light' Oz Asia Festival. Bicycles Create Change.com 17th August 2020.
Image: James Dodd

Laura Fisher is a post-doctoral research fellow at Sydney College of the Arts, The University of Sydney. In October 2015 she co-curated Bespoke City with Sabrina Sokalik at UNSW Art & Design, a one night exhibition featuring over 20 practitioners celebrating the bicycle through interactive installations, sculpture, video, design innovation, fashion and craft. This event was part of Veloscape, an ongoing art–research project exploring the emotional and sensory dimensions of cycling in Sydney.

The contents of this post was written by Laura Fisher and first published online by Artlink (2015). Minor edits and hyperlinks added and footnotes removed to aid short-form continuity. Images from Artlink unless attributed.

Dissident Bicycles (Part 2): Brag & Wikström’s ‘Retunity’

This August, we have a 5-part series written by Laura Fisher exploring how bicycles are used as a dissident object in contemporary art. The first post looked at the importance and impact of one of Ai Weiwei’s most iconic bicycle-based artworks ‘Forever’. In this second instalment, Laura looks at the refashioned (literally) ‘reversed engineered’ bike project entitled Returnity by German art duo Elin Wikström and Anna Brag. Enjoy! NG.

Dissident Bicycles (Part 2): Brag & Wikstrom's 'Retunity'. Bicycles Create Change.com 13th August 2020.

While Ai’s bicycles are polished and quiescent, many other artists have employed the bicycle’s movement to activate different kinds of individual and social behaviour. For example, in 1997, as part of the Skulptur Projecte in Münster, Germany, artists Elin Wikström and Anna Brag staged an event called Returnity.

They engineered nine bicycles to travel backwards when they were pedalled forwards, and equipped them with training wheels and a rear-view mirror.

A bicycle club was set up in a public park for three months, providing instructions to members of the public who attempted to ride the altered bicycles. In the end, over 2,000 people participated with about a quarter of these returning again and again to improve their skills.

These bicycles were a prop for heightening people’s spatial and sensory awareness. They also created an unusual social space. As Maria Lind remarked, it “was a playful test that referenced lifelong learning [and] connectivity in a globalised world” and an exercise in “radically rethinking and deliberately disorienting one’s naturalised behaviours”

Lind’s comments about Returnity are a reminder that the bicycle’s humility as a human scaled machine paradoxically gives it great power. Not only is it open to inexhaustible experimentation, it can engage the body and mind in such a way as to galvanise both personal autonomy and social affinity.

Dissident Bicycles (Part 2): Brag & Wikstrom's 'Retunity'. Bicycles Create Change.com 13th August 2020.

Laura Fisher is a post-doctoral research fellow at Sydney College of the Arts, The University of Sydney. In October 2015 she co-curated Bespoke City with Sabrina Sokalik at UNSW Art & Design, a one night exhibition featuring over 20 practitioners celebrating the bicycle through interactive installations, sculpture, video, design innovation, fashion and craft. This event was part of Veloscape, an ongoing art–research project exploring the emotional and sensory dimensions of cycling in Sydney.

The contents of this post was written by Laura Fisher and first published online by Artlink (2015). Minor edits and hyperlinks added and footnotes removed to aid short-form continuity. Images from Artlink unless attributed.

Got a Bicycle Diary?

Some people say making time for bike rides can be hard. But if your diary is a creative bike-inspired calendar all-in-one, then the job is not only easy, but imaginative and fun!

Making time for bike riding and art is a must.

Previously on this blog, I have shared some other of my fav bike inspired selections ranging from 5 Bikey Christmas Gifts, Trail Troll Art Installations on MTB trails, Temporary Bicycle Tattoos and the follow-up Bicycle Tattoos on THIGHS) and actual art bike rides like Melbourne’s Pink Flamingo Bike Rave (*sigh*!).

Yup, art and bikes just go together.

Below are 5 great bicycle diaries and travel journals.

Some you can still get while others were limited editions. All are the perfect place to block out happy hours on two wheels (alongside all the other things you need to get done too of course!).

Aside from having a bike theme – always check items are recycled and/or produced using sustainable and ethical practices – and support local artists where ever possible.

Keep any eye out for these in your local bookshops too (they need the business).

Or have a go at making your own!

1. Punctures & Panniers- Cycle Traveling Journal

This bike travel journal has it all! It is the brainchild of intrepid bike tourer Andre and was made possible in collaboration with artist Ania Butler. It has recycled paper and biodegradable inks. The design is clean and engaging and there is places in it to record your favourite routes, people you met, pages to doddle, log recipes, store contacts and more. This book was initiated by a kick starter and has something for every bike rider. A real gem!

Got a Bicycle Diary? Bicycles Create Change.com 5th July 2020
Punctures & Panniers

2. Bike Art – Just Ride 2018-2019 Weekly Planner

The Bike Art On-the-Go Weekly Planner is perfect for your bag, backpack, or briefcase. This is a 17-month calendar with funky graphics. This planner is fun and thorough with plenty of time management sections that will help keep you organized. Stylish design and kooky bicycle motifs will make you smile on every page. By Amber Lotus Publishing 224 pages.

3. Ashley Hackshaw: How to turn a book into an art journal

Ashley Hackshaw (AKA Lil Blue Boo) has a blog o(f the same name) where she shares art projects and creative ideas. In this post, she shows step-by-step how you can make your own art journals using composition books. Although not specifically a bike diary – I love that her example is!

4. Bicycle (Personalized) Embroidered Notebook Cover

Quirky, creative and unique. Personalized notebook covers are so handy. The best thing is they can be reused for different diaries and notebooks. This particular cover by Sierraistanbul is an embroidered, fabric, red bicycle with a nameplate ‘Nick’ – but you can get it customised for your own/other people’s name too.

5. Inner Tube Notebook Covers

You can also check websites and places like Etsy for inner tube book and diary covers. Or have a go at making your own. Check reviews first if buying online as sizes can vary especially if you add things into your diary and it expands. Inner tubes can be tricky to work with so double-check any zips and that seams are robust. Having said that- these are great products to have as they fully fit the bike-recycled mandate!

London’s Bicycle Library

This post is a great story of how a renovated double-decker bus is getting more Londoners on bicycles. This story comes courtesy of Inhabitat where it first appeared as a story on Architecture and was published under the title: The Bicycle Library Invites Londoners to “Borrow” Bikes Inside a Converted Double Decker Bus. What I find really exciting about this project is the array of thoughtful and useful services the London Bike Library offers. Read more about these services and more in the accompanying interview by Yuka Yoneda who interviews Karta Healy, the man who made it all happen. Such an inspirational story! Enjoy! NG.

London's Bicycle Library. Bicycles Create Change.com 5th April 2020.

London’s Bicycle Library

Most of us are no strangers to libraries where you can borrow books but what about libraries where you can borrow bikes? Well, that’s exactly what The Bicycle Library is (yeah, they didn’t get too creative with the name). Not only does this London-based business promote green transportation, it’s also situated in a converted double-decker bus.

Talk about giving re”cycling” a whole new meaning!

Inside the adapted bus, there is a “library“/gallery on the top floor with a showroom on the first level.

Londoners who need expert advice on which bike they should rent or buy can speak to an in-house “librarian” specializing in all things two-wheeled.

There’s even an array of actual books pertaining to – what else? – bicycles, on hand for reference. The first floor also boasts a shop with clothing and biking accessories.

Just as you would in a regular library, you can browse thorough different bikes, take them out and even test them out on the track outside.

There are seven types of bicycles to choose from: folding, MiniVelo, FGSS (Fix Gear Single Speed), Ladies Coaster, Mens Coaster, cargo and electric, so you’re sure to find one that’s right for you.

And if you find, after renting it for a while, that you’ve met your perfect bike match, the Bike Library even has a borrow to buy program so that you can make it your own.

London's Bicycle Library. Bicycles Create Change.com 5th April 2020.

Karta Healy Interview

Last week, we showcased the Bicycle Library, which is pretty much exactly what it sounds like, and it was so unusual that we had to get in touch with its founder and pick his brain. We needed to know what makes a person wake up one morning and want to start a library where people take out bikes instead of books – and in a revamped double-decker bus, no less?! So we caught up with Karta Healy, the driving (or should we say cycling?) force behind this mobile resource, and found out the answers to those questions and more – read on to see what he said..

How did the Bicycle Library get its start?

Karta: It all started last September, when I did a cycle fashion show extravaganza during London Fashion Week. We rented two buses to showcase all my TWOnFRO designs and my friends’ brands such as Rapha, swrve, Cyclechic, Dashing Tweed, 4TN and Brooks.

The buses were a key part of our layout of a London city street within the hallowed halls of Smithfield Market. I set up a test Bicycle Library for our guests and everyone loved it as much as me. That got me thinking…

People love the fact that the Bicycle Library makes its home inside a converted double decker bus – can you tell us about where it came from and why you decided to revamp an old vehicle instead of opening up a more traditional storefront?

Karta: I fell in love with the size and space inside these buses – they carry a certain nostalgia for all of us. From there I searched for our bus -a Leyland Olympian. I found it after 3 months in Milton Keynes. Maggie she is called, because all of her identifying marks start with M, and also because we have a great poster of Margaret Thatcher on a bicycle!

Can you tell us a little about your in-house “librarians” and your borrow to buy program?

Karta: Librarians are there to assist you with any questions, which are answered via their expertise, as well as the books and magazines in the reference library, which is a complete selection of all the best books on bicycle design, culture and history.

There is also a set of iPads to browse all of our bookmarked cycling websites, which are organized according to the 7 sub categories of bikes we advocate for the city.

The Borrow to Buy program is a rent-to-own system with an emphasis on trying many types of bikes in a week, or every week. The total days of bike borrowing is subtracted from the price of the final decision – hopefully a bike for life!

London's Bicycle Library. Bicycles Create Change.com 5th April 2020.

What is your most popular bike right now? What is your own personal favorite bike to ride?

Karta: Our most popular bike category is the electric bike by far, and we have some very special models that really give a snap of the neck with a twist of the wrist. Also, the cargo bikes are very popular, especially the Bernds model with its super-sized wicker basket. My personal favorite is my bamboo bike I built for myself – it flexes enough to soak up the shite London streets’ surfaces, and is unique enough not to be stolen… yet.

What do you think is the biggest obstacle keeping people from riding bikes and how do you think we can change that?

Karta: Each city has a different set of challenges, and London, my city, is a battlefield. Cars are keeping cyclists from multiplying, and the HGV’s are subtracting us even. Best we ban smoking tailpipes in cities, just as we have rid bars of their cigarette fumes already. There are many reasons, safety being the obvious one, due to said motorists.

Another one is image – whether tribal, lycra, or hipster, none say: “I have a real job”. The stigma of sweaty dishevelled students with a hangover on creaking bicycles, although we were all happy with that at one time, has to be outgrown. The sense of aspiration and achievement are typically forsaken for the bicycle in image only. Nowadays there are so many premium, stylish options, even e-bikes that keep you from sweating.

The other obstacle is bike theft, which must be supervised by NATO or somebody with the balls to tackle it. Studies show that when someone has their expensive shiny bike stolen, they will go out and buy one half the price, when that gets stolen, they will find the cheapest possible bike which they will hardly use, and if that gets stolen, they are back on the underground, or even worse, behind the wheel of a car. Cities need to introduce valet parking for bicycles, supervised parking areas, and even automated underground systems like the ones in place across Japan.

We couldn’t agree more! Karta makes it sound easy but we’re sure it was tough work setting up this impressive roving cycle library so congratulations to him and his crew.

Kind of makes you want to set up your own Bicycle Library in your own city, doesn’t it?

London's Bicycle Library. Bicycles Create Change.com 5th April 2020.
London's Bicycle Library. Bicycles Create Change.com 5th April 2020.

All images from Inhabitat.

Lismore’s Bicycle Christmas Tree

Lismore's Bicycle Christmas Tree. Bicycles Create Change.com 23rd Dec 2019.

Christmas is only moments away.

For previous Christmases, this blog has looked at:

 For 2019, we are heading to Lismore in QLD, where for the past few years the local City Council has provided a public recycled art Christmas Tree. This very successful initiative all started with recycled bikes.

The Lismore Council public art Christmas tree initiative stemmed after the local ‘leaning tree’ that had previously been decorated for Christmases was (unduly and harshly) dubbed ‘the world’s most pathetic’ Christmas tree. (Note: Personally, I think the leaning tree was awesome. Such a pity that we don’t celebrate diversity and difference and the wonderful uniqueness in nature. As Gaudi stated ‘there are no straight lines in nature’ – I think it is the very twists, turns, messiness and curves that makes life so engaging and grand. The very thing that made that tree unique and special to some, others considered to be a flawed and an eyesore. I don’t agree that ‘perfection’ i.e. a straight tree (or a or a ‘pretty blonde female’ as an extrapolation) is necessarily beautiful. Perhaps we need to check in with our cultural value criteria – anyhow..back to Lismore).

So, in 2015, Lismore Council looked to change their tree and started a recycled public art initative.

Lismore's Bicycle Christmas Tree.
Image: Cathy Bowen Northern Star

Lismore’s Bicycle Christmas Trees

The recycled bicycle tree was the first of these instalments. In 2015, the Lismore Bike Christmas Tree was erected as a centrepiece for the main roundabout on the corner of Keen and Magellan Streets.

This intuitive is to celebrate the festive holiday season as well as Lismore’s commitment to recycling and sustainability.

A local bike shop, Revolve, supplied the 90 old bicycles (which otherwise would have gone to scrap), 50 litres of paint, almost half a tonne of steel for the frame and $30 of donated rainbow mis-tints from the local paint shop. GOLD!

Lismore’s council metal workshop welded the bicycle frames were welded onto the steel frame they had created as the base structure.

The final ‘tree’ was then painted in rainbow mis-tint colours by the council staff and their families in their own time.

The tree was then gifted by the council to Lismore residents.

Lismore's Bicycle Christmas Tree.
Image: ABC News

Previous Lismore Recycled Art Christmas Tree

The Lismore Council Public Recycled Art Christmas Tree has had a number of reiterations since its first recycled bike tree.

Lismore’s tree for Christmas 2019 was a 7-metre ‘living’, growing structure. It has more than 300 potted plants, 100 metres of tinsel, 250 metres of solar-powered LEDs, 16 pairs of work trousers and matching boots. At the top instead of a star, council staff made a Planta (plant ‘Santa’).

The 2018 Lismore Christmas tree was made out discarded umbrellas.

In 2017 it was recycled road signs.

In 2016 it was recycled car tyres.

The 2015 Bicycle Christmas Tree has been the most popular instalment by far to date. In acknowledgement of this, the council is in discussion for a possible future tree that has sculptural bikes that produce power so that when visitors ride them, the generated power will light up the tree. Sounds similar to Brisbane’s Bicycle-powered Christmas Tree.

A big round of applause for Lismore Council for installing the recycled bike Christmas tree. An inspiring public project that brings community and council together to celebrate sustainability, recycling, community and creativity.

Here’s to more bicycle-inspired Christmas trees!

Happy holidays and safe riding all!

Lismore's Bicycle Christmas Tree.
Image: Road CC

Ingenious Victorian cyclewear for women

Ingenious Victorian cyclewear for women. Bicycles Create Change.com 4th Dec 2019.
Image: The Guardian

This blog post comes from an email I recently received from fellow PhDer Janis. Janis’s research investigates the heritage of Queensland’s Woollen Textile Manufacturing industry, so she has a particularly keen eye for stories about fabrics and textiles. So when she saw this fabric-and-bike-related content, she sent it over to me. This content about the ingenious cyclewear Victorian women invented to navigate social mores, comes from a 2018 Guardian article by sociologist Dr Kat Jungnickel. Thanks so much for sending this through Janis!

Ingenious Victorian cyclewear for women. Bicycles Create Change.com 4th Dec 2019.
Image: Kat Jungnickel

Kat Jungnickel was researching modern-day cycling and in her interviews, people (especially women) kept mentioning the role that clothing had on cycling identity, participation and enjoyment. So she started to investigate a very particular period of UK clothing design innovation for women’s cyclewear from 1895 to 1899.

Kat has since turned her research into a book called Bikes and Bloomers. Her book and website are well worth checking out.

Dr Kat Jungnickel is a senior lecturer in sociology at Goldsmiths, University of London. More about her research, including re-creations of convertible costumes and free sewing patterns inspired by the patents, is available at her website and in Bikes & Bloomers: Victorian Women Inventors and their Extraordinary Cycle Wear, out now through Goldsmiths Press.

In her article below, Kat explains how patents by female inventors from the 1890s reveal the creative ways women made their body mobile through clothing.

Ingenious Victorian cyclewear for women

 Much has been written about the bicycle’s role as a vehicle of women’s liberation. But far less is known about another critical technology women used to forge new mobile and public lives – cyclewear. I have been studying what Victorian women wore when they started cycling. Researching how early cyclists made their bodies mobile through clothing reveals much about the social and physical barriers they were navigating and brings to light fascinating tales of ingenious inventions.

Cycling was incredibly popular for middle- and upper-class women and men in the late 19th century, and women had to deal with distinct social and sartorial challenges. Cycling exaggerated the irrationality of women’s conventional fashions more than any other physical activity. Heavy, layered petticoats and long skirts caught in spokes and around pedals. Newspapers regularly published gruesome accounts of women dying or becoming disfigured in cycling crashes due to their clothing.

Fortunately, little was going to stop women riding and they rose to these challenges in a plethora of ways. Some took to wearing “rational” dress, such as replacing skirts with bloomers. While this was safer and more comfortable for cycling, dress reform was controversial. It was not unusual for onlookers who felt threatened by the sight of progressive “New Women” to hurl insults, sticks and stones. Other women adopted site-specific strategies to minimise harassment, such as cycling in conventional fashions in town and changing into more radical garments for “proper riding”.

Some pioneering women came up with even more inventive strategies. Remarkably, some Victorians not only imagined, designed, made and wore radical new forms of cyclewear but also patented their inventions. The mid-1890s marked a boom in cycling and also in patenting, and not only for men. Cycling’s “dress problem” was so mobilising for women that cyclewear inventions became a primary vehicle for women’s entry into the world of patenting.

The patents for convertible cyclewear are particularly striking. These garments aimed ambitiously for respectability and practicality. Inventors concealed converting technologies inside skirts, including pulley-systems, gathering cords, button and loop mechanisms and more, that enabled wearers to switch between modal identities when required.

Alice Bygrave, a dressmaker from Brixton, lodged a UK patent in 1895 for “Improvements in Ladies’ Cycling Skirts”. She aimed to “provide a skirt proper for wear when either on or off the machine”. Her parents owned a watch- and clock-making shop in Chelsea and her brother and sister-in-law were professional cyclists. Her invention brings all of these influences together in an ingenious skirt with a dual pulley system sewn in the front and rear seams that adjusts height according to the needs of the wearer. Bygrave also patented her invention in Canada, Switzerland and America, and it was manufactured and distributed by Jaeger. It was a hit and was sold throughout the UK and America. It even made its way to Australia.

Ingenious Victorian cyclewear for women. Bicycles Create Change.com 4th Dec 2019.
Image: The Guardian. Patent illustrations accessed in the European Patent Office Espacenet Database.

Julia Gill, a court dressmaker from north London, registered her convertible cycling skirt in 1895. Her aim was to “provide a suitable combination costume for lady cyclists, so that they have a safe riding garment combined with an ordinary walking costume”. This deceptively ordinary A-line skirt gathers up to the waist via a series of concealed rings and cord into what Gill called a “semi-skirt”. The lower flounce, when made from similar material to the jacket, creates a stylish double peplum. The inventor also recommended combining the skirt with some rather splendid “fluted or vertical frilled trowsers”.

Ingenious Victorian cyclewear for women. Bicycles Create Change.com 4th Dec 2019.
Image: The Guardian. Patent illustrations accessed in the European Patent Office Espacenet Database.

Mary and Sarah Pease, sisters from Yorkshire, submitted their patent for an “Improved Skirt, available also as a Cape for Lady Cyclists” in 1896. As the name suggests, this is two garments in one – a full cycling skirt and a cape. The wide waistband doubles as a fashionable high ruché collar. This garment is one of the more radical designs of the period because the skirt completely comes away from the body. Cyclists wanting to ride in bloomers could wear it as a cape or use the gathering ribbon to secure it to handlebars, safe in the knowledge they could swiftly replace the skirt should the need arise.

Ingenious Victorian cyclewear for women. Bicycles Create Change.com 4th Dec 2019.
Image: The Guardian. Patent illustrations accessed in the European Patent Office Espacenet Database.

Henrietta Müller, a women’s right’s activist from Maidenhead, registered her convertible cycling patent in 1896. Unusually, the inventor addressed an entire three-piece suit – a tailored jacket, an A-line skirt that can be raised in height via loops sewn into the hem that catch at buttons at the waistband, and an all-in-one undergarment combining a blouse and bloomer. Müller was committed to the idea of progress for women, and not content with trying to fix one element when she could see problems with the entire system. She was acutely aware of the politics and practicalities of pockets for newly independent mobile women. As a result, this cycling suit features five pockets, and Müller encouraged users to add more.

Ingenious Victorian cyclewear for women. Bicycles Create Change.com 4th Dec 2019.
Image: The Guardian. Patent illustrations accessed in the European Patent Office Espacenet Database.

These inventions are just some of the fascinating ways early female cyclists responded to challenges to their freedom of movement. Through new radical garments and their differently clad bodies they pushed against established forms of gendered citizenship and the stigma of urban harassment. Claiming their designs through patenting was not only a practical way of sharing and distributing ideas; it was also a political act.

These stories add much-needed layers and textures to cycling histories because they depict women as critically engaged creative citizens actively driving social and technical change. Importantly, they remind us that not all inventions are told through loud or heroic narratives. These inventors put in an awful lot of work to not be seen. They were successful in many ways, yet the nature of their deliberately concealed designs combined with gender norms of the time means they have been hidden in history – we have yet to find any examples in museums.

As such, they raise questions: what else don’t we know about? How can we look for other inventions hidden in plain sight? And if we learn more about a wider range of contributors to cycling’s past, might it change how we think about and inhabit the present?

Ingenious Victorian cyclewear for women. Bicycles Create Change.com 4th Dec 2019.
Image: Kat Jungnickel

Adelaide Bike Art Trail

Adelaide Bike Art Trail. Bicycles Create Change.com 9th Nov 2019.
Image: Weekend Notes

Bike art trails have been featured previously on this blog in various conceptions.

They include Dubbo’s unique Animals on Bikes paddock art tourist trail in NSW and London’s interactive community bike art installation Bow Bells Ring by Colin Priest.

For this post, we travel to the beautiful city of Adelaide.

Adelaide’s Bike Art Trail project has 10 public art installations by four different artist/teams dotted around Adelaide on bike paths.

The idea behind this project is to use the art map to ride around and see each of the artworks which are located at key landmarks and tourist locations around the city.

A unique feature of this project is that some of the artworks have been incorporated into – or as – an actual bike rack as well as other being installed alongside bike paths. Although an interesting idea, I doubt cyclists would actually use the bike rack art to lock up their bikes. I’ve never seen any bikes locked up to them. The art bike racks seem more designed for aesthetics, public curiosity or as talking points. Even so, it is still good to see some colour, design and funding being invested to enhance local bike experiences.

These artworks were commissioned by the City of Adelaide, with assistance from the Government of South Australia, through Arts SA.

Adelaide Bike Art Trail. Bicycles Create Change.com 9th Nov 2019.
Map of artwork locations. Image: City of Adelaide

What are the artworks?

1. Onion Rings by Greg Healey and Gregg Mitchell (Groundplay) – Grote St.

Greg Healey and Gregg Mitchell’s simple organic form references an onion. Adelaide Central Market is an incredibly popular destination. At 1.8m high, this work commands a significant presence in the streetscape. The circular form also allows several bikes to be locked to it

2. Play Here by Deb Jones and Christine Cholewa – Hutt St.

Hutt Street is a busy urban place in Adelaide that has a strong café, art and design culture. As soon as Deb Jones and Christine Cholewa saw the site they knew it needed some bold graphics. Somewhere that was a special place to lock your bike but also somewhere that could hold its own against the backdrop of the local TAB and the two nearby banks. 

Deb and Christine took their inspiration from the roads, airports, helipads and line markers of the world. They played with the predictable seriousness and colour tone that line marking usually delivers and added a few tertiary colours and a ‘you are here’ sign that reassures the person sitting on the bench close by of where they are

Adelaide Bike Art Trail. Bicycles Create Change.com 9th Nov 2019.
Onion Ring. Image Weekend Notes

3. Perspective by Deb Jones and Christine Cholewa – Tandanya, – Grenfell St.

Deb Jones and Christine Cholewa wanted their bike rack/artwork to be a gentle reminder:

  • that someone has been here before
  • that time will change your perspective
  • that we are inexorably linked to the land and the sky.

They have installed two differently shaped bike racks. Each bike rack has a shadow of a bike sandblasted into the ground below it, as if the bike is still there. Drawn from actual shadows, the shadow images indicate different times of the day; one long shadow for early morning and the shortened shadow for early afternoon.

4. Fashionistas by Greg Healey and Gregg Mitchell Groundplay) – Rundle St.

Rundle Street is fast becoming a high street fashion shopping destination and a pair of interlinked coat hangers not only acknowledges, but celebrates this. 

Shaping the hooks of the hangers into heads is intended to give them character and pay homage to Joff and Razak of Miss Gladys Sym Choon, recognised pioneers of fashion and of Rundle Street Culture.

Adelaide Bike Art Trail. Bicycles Create Change.com 9th Nov 2019.
Image: City of Adeliade

5. Branchrack by Deb Jones and Christine Cholewa – Botanic Gardens Entrance.

The Botanic Garden is a place that celebrates plants. Deb Jones and Christine Cholewa wanted to make a bike rack using plant materials, however, that wouldn’t last very long so they opted for the next best thing: a bike rack made from bronze, cast directly from a tree branch. 

When they visited the site and saw the row of existing standard bike racks, they decided to model the branch rack similar in form to the standard racks so that the artwork blend in and come as a surprise at the end of the bike rack line.

6. Camouflage by Karl Meyer (Exhibition Studios) – Adelaide Zoo.

This artwork was inspired by animal themes and connects with the diversity of animals within the zoo. Evoking childhood memories, it invites the user or passerby to ponder the relationship between ourselves and other animals. Playing with scale and colour, capturing the essence of the richness in diversity, the satin surface finish and smooth form is designed to invite touch, exploration and connection.

The work subtly embraces the cycling narrative with it spacing and orientation to the existing brightly coloured rack. Within the entry plaza the form and colour is conceived to integrate and complement the landscaping and forms. In contrast to the bright yellow bike racks within the space, the circular shapes seek to connect with bicycles wheels and animal diversity.

Adelaide Bike Art Trail. Bicycles Create Change.com 9th Nov 2019.

7. FORK! by Karl Meyer (Exhibition Studios) – Melbourne St.

The artwork seeks to connect with the contemporary cafe and food culture and as a free standing element. 

The Melbourne Street precinct is a vibrant blend of retail, residential and business. The pavements bustle and the area is well known as a popular eating place offering a range of restaurants. The artwork seeks to affirm the cafe scene, to entertain and provoke enquiry and is seen to be a statement to the independence and identity of Melbourne Street as a destination within the broader context of Adelaide.

8. Ms Robinson by Tanya Court – O’Connell St.

The current resurgence of the animal print trend is captured in ‘Mrs. Robinson’. Leopard prints are used as the basis to modify standard stainless steel bike racks, transforming our impoverished urban realm with the most exotic of animal simulations.

Adelaide Bike Art Trail. Bicycles Create Change.com 9th Nov 2019.
Image: Weekend Notes

9. Paper Bag by Michelle Nikou – North Terrace SA Museum

The location and the numerous ‘heads on plinths’ that line North Terrace generated the concept for this work. ‘Brown Paper Bag‘ is a contemporary and quirky take on ‘the establishment of success’. 

Michelle Nikou considered shyness, anonymity and the feeling of not wanting to be seen – or perhaps even negating the pressure to be great when creating this work. Whilst the work does have a serious undercurrent it is also, perhaps foremost, humorous and playful. There is something most charming about little people who play with the anonymity of putting a brown paper bag over their heads–moving in circles and bumping into things.

10. Parking Pole by Michelle Nikou – Hindley St.

This work of Michelle Nikou will mirror what exists beside it but perform a ‘softening of the rules’. It was not possible to construct a conceptually difficult work in such a fast paced zone, however, in the most gentle of ways Michelle hopes to shift perception with ambience of material and humour. 

Bronze always says ART and in this way the material is able to insert itself into a ‘dictated space’: changing the paradigm and presenting no rules. From the experience of having parked in the spaces just near this zone, Michelle realised they require some inspection to avoid a fine. Adding to the mix of that inspection is a blank – a blank parking pole and signs made from traditional artists’ materials, it has no instruction on it and therefore remains a space to project oneself on to, appreciable in today’s graphically overloaded world.

Adelaide Bike Art Trail. Bicycles Create Change.com 9th Nov 2019.
Image: ArtsHub

Details of each artwork from City of Adelaide blog.

Pedaling disaster: citizen bicyclists in disaster response. Innovative solution or unnecessary effort? 

Reference: Kirkpatrick, S. J. B. (2018). Pedaling disaster: Citizen bicyclists in disaster response—Innovative solution or unnecessary effort? Natural Hazards, 90(1), 365-389. doi:10.1007/s11069-017-3048-3

Pedaling disaster: citizen bicyclists in disaster response— Innovative solution or unnecessary effort? Bicycles Create Change.com 14th September, 2019.
Image: CBC.com

Citizen bicyclists in disaster response

This post looks at the 2018 academic publication by Sarah Kirkpatrick from North Dakota State University. In this article, Kirkpatrick explores how citizen bicyclists might be used in times of disasters. A very interesting topic!

This a particularly relevant discussion given the importance and impact that citizen bicycle responses in Mexico had following the 2017 earthquake.

In this article, natural events where bicycles could be used is focused on the US context, so includes tornadoes, hurricanes, and severe storms. However, bicycle response to events like travel hazards, flooding, blizzards, and wildfire events was almost universally rejected.

The post-impact disaster actions Kirkpatrick says local bicyclists can do include: conducting search and rescue, evacuating survivors, giving medical care, consoling survivors, providing needed supplies, directing traffic, extinguishing fires, and removing debris. 

This paper suggests that the involvement of citizen bicyclists in disaster response, the outcome could be very beneficial for both bicycling and emergency management communities. 

The idea of citizen bicycle response stems from the growing popularity in the USA of Disaster Relief Trials (DRTs). DRTs are community events organised by local bicycling enthusiasts that demonstrate how bicycles can be used in disaster situations. Community emergency response team (CERT) programs were also highlighted as possible sources of training for bicyclists, as well as a means for bicyclists to be integrated into disaster response operations. 

The article discusses current DRTs and how bicycles have been used in relief efforts, including:

  • USA During the response to the September 11th attacks in 2001, bicycle couriers could be found riding along the secured perimeter and delivering food (Kendra & Wachtendorf, 2003). 
  • Japan In the immediate aftermath of the 2011 To ̄hoku earthquake, the combination of traffic gridlock and the shutdown of train services in the Tokyo metropolitan area compelled stranded commuters to mount bicycles—included ones purchased in the immediate aftermath of the event—to make the commute home (Takahara, 2011).
  • USA In the days following Superstorm Sandy in 2012, a group of bicyclists strapped a variety of donated goods ranging from diapers to blankets to their backs and bikes before pedaling the 15 or so miles through debris-laden streets from Brooklyn to the Rockaways to deposit their commodities (Goodyear, 2012).
  • Sri Lanka During disaster recovery, the period when activities are being undertaken to restore all stakeholders to self-sufficiency (Alesch et al. 2009), bicycles gifted to survivors of the 2005 tsunami in Sri Lanka proved a key element in assisting people with recovering their economic livelihood and social connections, as well as increasing their accessibility to service providers (World Bicycle Relief 2007). 

Kirkpatrick argues that implementing citizen bicycle responders would be best suited to communities that already have an established bicycle-friendly locale. In these places, bicycle response take-up, use and engagement would be less resistant.

The discussion of citizen bicyclist disaster responders is also valuable in exploring alternatives to current approaches and in shifting attitudes of policy, organisational and emergency managers towards the use and engagement of citizen responders more broadly.

Citizen bicycle responders are identified as being particularly useful in specific tasks such as messaging/communication, commodities distribution, messaging, and casualty evacuation—as a ‘‘last mile’’ solution. The idea is that bicyclists can make short runs to create the final link between information hubs, centralised distribution points, or evacuation locations

I loved this quote from the article:

For bicycles to reach closer to their potential as a cure for urban maladies, they must advance beyond the dominions of mall-bound middle schoolers and lycra-clad weekend warriors to a broader ridership. 

Gold!

Certain bicycle types or accessories are highlighted as serving as a sort of force multiplier for task execution, particularly related to commodities distribution or casualty evacuation. Specifically, the use of cargo bicycles, bicycles with attached trailers, and electric bicycles were mentioned as ways to enhance the ability of citizen bicyclists to move goods or other people through a disaster area. 

The article also points out that there are some concerns about citizen bicyclists in disaster response. A principle example of this is that responses rely heavily on the actual person who is riding the bicycle—and the knowledge and skills that person brings—that matters to the response and dictates the bicyclists’ ultimate response value. Additionally, responders will need some sort of training (or have a base understanding) of bicycle maintenance, safe riding, how to communicate/coordinate/operate within the response network, general safety and first aid/CPR.

Some research participants further suggested that citizen bicyclists receive the full gamut of CERT training, with modules on disaster preparedness, disaster fire suppression, disaster medical, light search and rescue, disaster psychology, and disaster simulation exercise. The type of training frequency, responsibility, and depth would need to be formalised.

There have been several papers that have considered the safety aspect, weighing the costs of increased injury risk and exposure to pollution against the health and communal benefits of regular bicycling. The table below shows some examples of studiescoering a few of these factors.

Pedaling disaster: citizen bicyclists in disaster response— Innovative solution or unnecessary effort? Bicycles Create Change.com 14th September, 2019.
Image: Kirkpatrick (2018).

Some essential tasks citizen bicycle responders can undertake are:

  • movement of needed commodities like food, water, medication, other supplies
  • delivery of messages within the impacted area
  • bicycles and their riders providing power generation
  • casualty evacuation
  • first aid
  • safety and wellness checks
  • search and rescue
  • damage assessment 

Overall, this article opens up a meaningful conversation about considering bicycles use in disaster relief. 

The most appealing aspect of this article is the focus on the citizen bicyclist – a largely untapped and little-discussed potential asset.

I love the idea of local riders and their bikes being integral to disaster responses efforts.

Just another way bicycles could create change!

Pedaling disaster: citizen bicyclists in disaster response— Innovative solution or unnecessary effort? Bicycles Create Change.com 14th September, 2019.

Abstract 

Citizens have historically become involved in response to disasters by helping both themselves and others. Recently, the idea has emerged of individuals providing this assistance in the response period using bicycles. Community events have been organised by bicycling enthusiasts in US cities to demonstrate how bicycles could potentially be of use in disaster situations. Yet, there has been no empirical research around the idea of citizen bicyclists in disaster response. 

This study explored the potential use of bicycles and their citizen riders in disaster events in the USA—specifically considering what role, if any, citizen bicyclists could play in such scenarios. Data were initially collected through 21 in-depth, telephone interviews with emergency management officials and bicycling advocates from bicycle-friendly cities in ten different states. Grounded theory was used to conceptualise the overall research design and analyse the data. 

Based on theoretical and snowball sampling, an additional six interviews were completed with individuals who had requisite knowledge and experiences applicable to the research question. Participants indicated that there are a variety of tasks and activities citizen bicyclists could undertake in disaster response; however, it would have to be an event of significant scope and magnitude for bicycle usage to be widespread—an unlikely occurrence for many jurisdictions. 

Concerns about training and integration with the formal emergency management structure were also identified. Implications for potential citizen bicyclists—and citizen responders more broadly—are discussed. 

Pedaling disaster: citizen bicyclists in disaster response— Innovative solution or unnecessary effort? Bicycles Create Change.com 14th September, 2019.
Image: Little Rock Air Force Base News

Some content of this post is adapted from Kirkpatrick (2018).

Cycle Farm

Cycle Farm. Bicycles Create Change.com 7th Aug 2019.

Increasingly, more people are turning to alternative ways of eating, living and consuming that are more sustainable and enriching.

Cycling has always been part of the green revolution, but one pair of farmers are taking this approach to the next level.

Cycle Farm is an organic farm run by Patricia Jenkins and Jeremy Smith located in Spearfish South Dakota, USA.

As their name suggests – as well as being a functional organic farm, Cycle Farm is particularly interested in using bicycles to facilitate workload and productivity.

They are a working farm, selling their produce to a variety of outlets and farmers markets, as well as being a kind of open/farm visitation/awareness-raising platform for more sustainable farming/consumption practices.

Bicycles are central to Cycle Farm’s philosophy and daily operations.

Most impressive is how Patricia and Jeremy have custom-altered a range of bicycles and integrated their use into all areas of farm operations, like the bike-powered roller-crimper – very inspiring!

Cycle Farm has a blog and website showcasing some great photos and info on what they are up to and seasonal activities.

Here’s how Cycle Farm explain how they use bicycles:

Here at Cycle Farm, we are very enthusiastic about bicycles as efficient farm tools.  We’re using bicycles to help minimize our off-farm inputs.  Employing bicycle- and human-power and minimizing our off-farm inputs is important to us for the following reasons.

Conventional agriculture has a huge environmental impact, from the use of pesticides, herbicides, chemical fertilizers, distributing produce to distant markets, use of heavy machinery, water use and pollution, etc. For us, reducing our inputs forces us to look at our overall ecological impact.  For example, we are a human-powered, bicycle-driven operation. We take our vegetables to market each week by bicycle and encourage CSA members to ride their bike to the farm for pick-up.

We are producing local food. Our goal is not to grow food for a large wholesale market, but to serve the community in which we live, Spearfish Valley. Additionally, we are not using a tractor, but instead all farm work is done by hand.  This means we don’t have to use gasoline, which saves us money as well as reduces our carbon emissions.

Cycle Farm. Bicycles Create Change.com 7th Aug 2019.
Cycle Farm. Bicycles Create Change.com 7th Aug 2019.

A second reason is economic; the more we can reduce the amount of things we have to purchase to run this farm, the more likely we can make a living wage off these three acres.  A tractor, even a small one, is a considerable expense. If we can do the same work with our hands and with a bicycle, we can save ourselves and our market that additional cost.

Beyond reducing gas use and our carbon emissions, we are working toward building soil carbon in our fields with small scale, no-till vegetable farming.  Organic no-till methods are becoming more and more widespread in larger operations for a variety of reasons (soil conservation, carbon sequestration, nutrient cycling, etc.). However, this has not yet translated into small scale vegetable production, that we’ve found. We are experimenting with and developing methods applicable for a smaller scale (0-15 acre) organic, no-till operation (i.e. bike-powered roller-crimper).

Cycle Farm. Bicycles Create Change.com 7th Aug 2019.

And of course, bicycles make everything more fun. By moving at a more human pace, we are getting to know our community better. We can stop and talk with friends and neighbors in passing. Hopping on a bike allows us to stay loose and flexible after long days in the field.  And there is something so satisfying about hitting a pocket of cool air on a ride past Spearfish Creek on a warm summer evening.

However, doing this alone ultimately may not accomplish much towards addressing pressing global crises. We are enthusiastic about helping to motivate our community and participating in an exchange of ideas on a broader scale. Interested in human-powered, sustainable agriculture – then you can come visit the farm and talk to us.

Lastly, when the farm slows down in the winter, we plan on gearing up a bicycle workshop in the garage. Building custom cargo and utilitarian bicycles and trailers, as well as doing frame repair.

Cycle Farm. Bicycles Create Change.com 7th Aug 2019.
Cycle Farm. Bicycles Create Change.com 7th Aug 2019.
Image still: SDPB Dakota Life: Cycle Farms.

‘Thought control’ bicycle for spinal injury rehab

I am delighted to share this story. As well as being an incredibly inspirational story and testament to Dinesh Palipana’s unique fortitude and character, this story showcases some of the pioneering work that my university is doing. …And it is totally bike related! I’ve been working at Griffith for over 5 years now. I am continually impressed with the reach, impact and significant contributions Griffith makes to improve society. Last year, I posted about Griffith design graduate and PhD candidate James Novak’s global award-winning world’s first 3D printed bicycle – also unreal!! This story is about how Dinesh and his team turned an accident he had during his PhD into a scientific-bike research breakthrough. This article was originally published by Griffith News earlier this year. Here it is in full. Enjoy! NG.

‘Thought control’ bicycle for spinal injury rehab. Bicycles Create Change.com 16th July, 2019.

Griffith medical graduate and Gold Coast University Hospital junior doctor Dinesh Palipana thinks about walking a lot, since a car accident left him a quadriplegic part-way through his medicine degree.

Now he’s thinking about pushing the pedals of a specially-adapted recline bike, and thanks to electronic muscle stimulation, he’s actually moving, in what is the first step towards a world-first integrated neuro-musculoskeletal rehabilitation program, being developed at the Gold Coast Health and Knowledge Precinct (GCHKP).

Griffith biomechanical scientists and engineers Professor David Lloyd, Dr Claudio Pizzolato and his team, together with Dinesh as both researcher and patient, are aiming to use their ground-breaking 3D computer-simulated biomechanical model, connected to an electroencephalogram (EEG) to capture Dinesh’s brainwaves, to stimulate movement, and eventually recovery.

Thinking about riding a bike

“The idea is that a spinal injury or neurological patient can think about riding the bike. This generates neural patterns, and the biomechanical model sits in the middle to generate control of the patient’s personalised muscle activation patterns. These are then personalised to the patient, so that they can then electrically stimulate the muscles to make the patient and bike move,” says Professor Lloyd who is also from Griffith’s Menzies Health Institute Queensland.

“It’s all in real-time, with the model adjusting the amount of stimulation required as the patient starts to recover.

“We’re in the early stages of research and we’re having to improvise with our equipment, however we know we have shown our real-time personalised model works, basically like a digital twin of the patient.”

Dr Palipana is excited to be part of such novel research in his own backyard.

“I have a selfish and vested interest in spinal cord injury research and I’m completely happy to be the guinea pig,” Dr Palipana says.

“We’ve had equipment for many years where people passively exercise using stationary bikes, and stationary methods where people get on and the equipment moves their legs for them. The problem is you really need some stimulation from the brain.

“As the years go by we’re starting to realise that the whole nervous system is very plastic and it has to be trained, so actually thinking about moving the bike or doing an activity stimulates the spinal cord from the top down and that creates change.”

This top down, bottom up approach is novel, with the model effectively providing a substitute connection between the limbs and the brain where it was previously broken when the spinal cord was injured.

The neuro-rehabilitation research will dovetail with exciting research by Griffith biomedical scientist, Associate Professor James St John, who has had promising results for his biological treatment using olfactory (nasal) cells, to create nerve bridges to regenerate damaged spinal cords.  

Establishing new neural pathways

“You use the modelling to recreate the connection, and over time, with the science of Associate Professor James St John, you establish new neural pathways. So over time patients will be less dependent on the model to control the bike movement and it will move back to their own control, with their regenerating spinal cord and their reprogrammed neural pathways,” says Professor Lloyd.

Associate Professor James St John hopes to move into human clinical trials in the GCHKP within the next 2-3 years, and in parallel Professor Lloyd and his team hope to refine their rehab testing with Dinesh, and develop the technology with leading global companies in exoskeleton design. These companies, could in turn, be attracted into the 200-hectare GCHKP.

“In ten years we want to be a one-stop shop for spinal cord injury and complex neurological patients,” Professor Lloyd says.

“I’m just really lucky to be well-positioned here where it’s all happening and I want to be involved as much as possible as a doctor and a potential scientist,” says Dr Palipana.

“It’s my university, my hospital, my city – it’s just really nice to be a part of that.”

Further links:

‘Thought control’ bicycle for spinal injury rehab. Bicycles Create Change.com 16th July, 2019.
Dr Dinesh Palipana with Professor David Lloyd (right) and Dr Claudio Pizzolato (left).

Images and text courtesy of Griffth University News.