Bike riders are a wonderful reflection of the society in which they live. Globally, there are myriad cultures, styles, approaches and lifestyles, just as there are bike riders and bikes.
It is raregain access to the lifeworlds of bike riders elsewhere. But this is what Stan Engelbrecht and Nic Groble’s South African Bicycle Portraits project provides.
Bicycle Portraits is a creative 2-year project that showcases everyday South African locals and their bicycles. Through photos Stan and Nic took while riding around South Africa and meeting local bike riders, it reveals who rides, why they ride, and why so few South Africans choose the bicycle as a primary mode of transport.
It was ambitious and simple in its conception, yet community-minded in execution.
For many South Africans, bicycles are the only transport option.
Today, Bicycle Portraits has more than 500 portraits compiled over three years. Stan and Nic have cycled over 10,000 kilometers in order to complete their collection.
It is a wonderful expose and homage to South African bicycle subculture.
It is a fascinating insight into the diverse societal, historical and cultural characteristics that make up the eclectic RSA community.
Bicycle Portrait – Stephanie Baker
Stephanie is an 82 and ¾ year old Pretorian local, who rides her bike a kilometre uphill every other day.
In addition to being a portrait participant, Stephanie was the only personality that Stan and Nic also made a short video about (see below).
And you can see why.
Most touching is that bike riding has given Stephanie a very particular view of how cycling improves ‘public relations’ and how it helps her connect with the locals.
Unsurprisingly, Stephanie’s wholesome outlook which she aptly describes, has been viewed over 14.7 thousand times.
Stephanie is a wonderful reminder that you are never too old to enjoy riding a bike.
Bicycle Portraits – Final Result
Stan Engelbrecht and Nic Grobler are publishing their best 165 portraits and stories selected from over 500 images they’ve collected during their 2-year journey.
The selected final portraits are included in 3 volumes. Each book also has includes different 55 stories and two essays – one essay by a local South African and the other by major international cycling figure.
The three books have been produced in collaboration with other local artists. The books are designed by Gabrielle Guy. Also, celebrated South African artist Gabrielle Raaff had created an individual hand-painted watercolor map (based on Google Maps) to indicate where portraits was taken. The final product is impressive (see below).
What a wonderful project to showcase the diversity and characters that make up the unique South African bicycle culture. I would love to see more project from around the world like this!
It’s Australian Walking and Cycling Conference (AWCC) time again!
Hooray!
I really like this
conference.
The people are great, the program is always interesting – and it doesn’t cost and arm and a leg to get there. Perfecto!
In 2017, I presented an AWCC roundtable session entitled Bicycles Create Change: An
innovative guide to creating memorable and meaningful engagement in community
bike projects.
The session went very well
and it was great to share my work people outside of Griffith Uni and Queensland.
It was also a valuable opportunity to network and meet some incredible people. I came home from the last AWCC with a big smile and many new ideas and resources.
This year, AWCC is returning to Adelaide on October 24-25th 2019.
AWCC 2019 – Abstracts open!
The 2019 conference and related activities aim
to engage more directly with local issues of climate change mitigation and
adaption in relation to walking and cycling.
The 2019 AWCC theme is Active transport in a changing climate.
Abstracts for AWCC sessions are now open.
Session Formats
Learnshops: 20 min podium presentations with 10 mins Q & A.
Spin cycles: Short, fast-paced podium PPTs of 3.45 mins for 15 slides.
Roundtables: To a table of 10 – present for 10 with 15 mins group discussion
Key dates
Abstract submission opens: Monday 22 April
Abstract submission closes: Monday 22 July
Authors notified of outcome: Monday 19 August
Authors notified of program placement (date/time): Mon 26 Aug
Presenting author registration deadline: Monday 16 September
The simple acts of walking and cycling have
the potential to transform the places we live, our economies and how we engage
with our environment. The Australian Walking and Cycling conference explores
the potential for walking and cycling to not only provide for transport and
recreation but solutions to challenges of liveability, health, community
building, economic development and sustainability. As one of Australia’s
longest running, best regarded and most affordable active travel conferences,
we bring together practitioners and researchers from Australia and across the
world to share their work and engage with conference participants.
Conference theme: Active transport in a changing
climate
We aspire to promote work which creates a transport
mode shift away from cars towards walking and cycling, and using active means
to link with improved public transport in suburbs and rural towns. We want to
shift away from CO2 reliant mobility and keep people active as temperatures
rise, and extreme weather becomes more common.
What can a transport mode shift in our suburbs and
rural towns contribute to CO2 reduction nationally? What concomitant air
quality benefits are felt in suburban streets and towns as a result?
Acknowledging that climate change is occurring, what changes are to be made to
suburban and town environments so that walking and cycling are almost always
convenient, pleasurable, safe and life affirming even in the face of rising
temperatures? What does a small town or suburban neighbourhood retrofit look
like in the next ten or twenty years, so that people are out and about and
interacting? How do people of all ages and abilities avoid retreating to
air-conditioned ‘comfort’ – ‘comfort’ that is inactive, isolated and CO2
producing?
These questions indicate the directions we hope to explore in the 2019 conference.
I hope you had a great time today celebrating life on two wheels!
It’s incredible to think this is only the second year this commemorative day has been recognised internationally.
For last year’s first official World Bicycle Day, BCC looked at what this day means to the UN. We also checked out some of the awesome WBD events happening glocally (globally/locally) in Adelaide (AU), India and Denmark.
This year, in my hometown of Brisbane, World Bicycle Day coincided with another important event, the biennial Mabo Oration*.
It was a very interesting talk. Luke raised many important issues as well as sharing his thoughts on activism, racism, leaving a legacy, truth-telling, being a father, next steps and self-determinacy – and this discussion has continued in the media.
This public speech comes at a perfect time given the traction that A/P Chelsea Bond’s recent contribution to the La Trobe racism discussion created.
(If you are not sure what I am talking about – prepare to have your mind blown).
The traction I’m referring to started with a speech given by Associate Professor Chelsea Bond, who was one of four speakers for a LaTrobe University panel discussion on the topic of:
Has racism in contemporary Australia entered the political mainstream?
If you have not seen it, you
need to.
Why?
Because A/P Bond delivered the most powerful, intelligent, inspiring, uncompromising, kick-ass speech on racism in Australia heard in a very long time!
Make up your own mind.
Below is the full video. A/P Chelsea Bond is the last speaker, so go direct to: 1:01:05 and watch until 1:14:11.
Her speech hit so many high
points on so many levels.
I’ve been walking around for days inspired by Nat Cromb and Luke Pearson’s overview of her speech saying things like Bam! Kapow! Boom! Pow!
Most impactful for me was how
she powerfully called out those who fail to have truthful and confronting
conversations.
This is what has stayed
with me the most – and something that requires ongoing consideration – and action.
In her speech, A/P Bond said ‘In my being, I refuse to bear false witness to these lies.’ Such statements reminds us there is much work to do – and it is everyone’s responsibility to take action and call out racism.
So, imagine our delight when, on World Bicycle Day at the Mabo Oration, husband and I ran into A/P Chelsea Bond!
OMG!
Shameless academic fanning ensued.
The oration had just concluded and we were all leaving the auditorium when we passed her. Husband spotted her and I took the initative to introduce ourselves and have a chat.
A/P Bond was very accommodating. She was happy to have a good chat and take a photo. We told her how significant her speech had been for us and we talked about how different people have responded to it.
We can home – elated, thrilled, humbled and exhausted.
It had been a day full of culture, challenges, activism and insights.
Without a doubt, World Bicycle Day 2019 has been the most rewarding and motivating.
I hope you had an equally thought-provoking and stimulating day!
*The Mabo Oration is a biennial event organised by the Anti-Discrimination Commission Queensland and QPAC. It is the Commission’s public commitment to the Aboriginal and Torres Strait Islander peoples of Queensland. It celebrates and pays tribute to Eddie Mabo and the landmark High Court decision which legally recognised that Indigenous people had a special relationship to the land that existed prior to colonisation. The first Mabo Oration was on 3 June 2005 and this year, the guest speaker was Noel Pearson.
This shop is already a stand out example of a grassroots bike shop that offers a wide range of services, programs and events, including music, performances, theatre, food/organics, trivia, and film nights – in addition to its other bike-related workshops, community events, fundraising, education and outreach programs. Phew!
Free Cycles has a long history of supporting local and visiting artists by providing a performance space for their ongoing creative and artistic program.
To add to this, Free Cycles initiated an Artist Residency Program.
Such a great idea!
Biking is a creative act for many people.
Aside from being a great use of space, resources and networks, having a local artist in a bike shop is a great way to cross-pollinate, motivate and actively support community integration, extension and diversity. Very cool!
This project facilitate the creation of art at Free Cycles Community Bike Shop in Missoula for public exhibition/interaction, with used bicycle parts from Free Cycles and recycled materials donated by Home ReSource.
The Artist in Residence Program create a more dedicated interaction between artist and place; practice and environment; art and bicycle; sculpture and community.
What is the artists program?
The Artist in Residence Program at Free Cycles is a new
initiative to connect Artists with the Missoula community through the love of
cycling.
Artists are invited through a public art call, and when
selected may spend up to one month in the warehouse studio.
Here Artists are granted the time, space, materials, and
equipment to create.
Artist participants are able to source materials from the
thousands of donated bikes in stock on the Free Cycles property, as well as
donated and reclaimed construction materials from local materials giving
partner Home ReSource.
Upon completion of their residency Artists in Residence are
asked to provide one workshop day to staff and volunteers, one workshop day to
be offered free of charge to the public, and one work of art suitable for
installation on the Free Cycles 2 acre property.
In its initial year the program is set to offer residencies to four local artists.
The program’s goal is to be able to offer artists fair
compensation for their educational work and provide a stipend for their time in
residence with hopes that future funding can grow these amounts to seek artists
in all stages of their careers.
Why initiate an artists program?
The planning process for this project has been happening
informally for many years.
By offering a community space, that encourages citizen
interaction, Artists are attracted organically out of their love for creative
process.
For more than two decades Artists have been creating with
materials from Free Cycles, often in their own shops but sometimes on site.
With the recent purchase of the two-acre property and
28,000-square feet of building space this year has provided opportunity to
formalize our artist oriented programming and increase our community workshop
offerings.
This program will ensure the future of the Free Cycles
warehouse as a permanent part of the Free Cycles Community Bike Shop’s
engagement at a pivotal time in the property’s future.
Who is ‘MIST’?
MIST is the Missoula Institute for Sustainable Transportation. MIST is a citizen-based non-profit organization in Missoula, Montana. They have a strong focus on making walking, bicycling, and public transit more complete, accessible and enjoyable.
They work to create a system of movement that is safe, equitable and environmentally sound. Four programs work towards these goals, of which Free Cycles Community Bicycle Shop is one.
Free Cycles Community Bicycle Shop seeks to create a
healthy community through a wide range of strategies.
The goal of Free Cycles is to help Missoula, Montana
transition to a more sustainable transportation system while simultaneously
setting a strong example for other places.
Through these programs will help individuals collaborate and work to be active stewards of the community with an emphasis on social and environmental justice. The idea is to work towards this mission through education, empowerment, and engagement.
The education programs strive to give people the knowledge to maintain their bicycle independently, use it safely, and eventually share their skills with others.
By increasing the accessibility of human powered transportation, the organisers seek to directly empower individuals from all walks of life with the ability to move themselves.
Free Cycle Projects
These projects focus on community engagement to facilitate a sense of collective responsibility, a strong sense of place, and human connectivity.
Free cycles has had approximately 200,000 total
participants to date. There have been 38,000 bikes donated since 1996 of which
about half gone out as free bikes while about one quarter have been recycled
and one quarter have been repurposed. About 6,000 have taken the BikeWell safety, maintenance,
and orientation class.
All Images: Free Cycle website or @freecyclemissoula (IG). This post was adapted from an article first published on Indiegogo.
The idea of Mother’s Day is to honour mothers for all they have done.
Traditionally, family members give flowers, cards and gifts, or make mums breakfast in bed or take them out for lunch. Or something that is similarly supportive and nice.
I went online to see what was being peddled specifically for ‘cycling mums’.
I expected to see the normal product-pushing commercial crap (which was all there of course), but then I saw an article I found very disturbing.
It was on BikeRoar, a website touted as being an independent product resource website devoted to helping cyclists #BuyLocal – fair enough.
Published last year under the section heading TECH TIPS, it was written by Australian cyclist Jayne Rutter and titled 11 Mother’s Day gifts for cycling mums.
The list of 11 gift ideas looked innocent enough.
The first item was a water bottle.
The second was a free massage.
The third was a book.
The fourth ‘a 2-hour leave pass from the kids’ to ride to a local café
The fifth was a Run Angel Personal Safety Device
…………..and it was the last one that stopped me.
I didn’t read on.
There is so much wrong with this list.
First, the article is listed under ‘Tech Tips’. It has 11 items, but only one (#5 above) is actually a tech product. There is a Garmin mount (#6), but not the actual Garmin. Odd. I sincerely hope this is not because of some preconditioned, subtle, habitual, gender stereotype like women aren’t good at tech…. 1 out of 11?
But more than that, it was the actual product #5 itself I found unsettling.
I appreciate that this product comes from a place of concern.
But its very existence is a recognition that abuse of women is so widespread that no woman is safe – at any time.
Violence against women has become so commonplace that giving a personal safety alarm to our mothers is one of the top five gifts we can get her. Really? Top five. I find that so disturbing.
Have we become so accepting and desensitised that violence against women occurs so regularly that we are equipping our mothers with panic alarms – for when they ride their bikes in broad day light!
What the hell!!
Do you know any male cyclists who wear
panic alarms?
I find it disconcerting that most people would not see, or question how disempowering for women this seemingly harmless Mother’s Day list and the giving of a personal alarm is. And therein lies the issue.
Female bike riders are at risk
It can be hard to recognise and understand the
scale of abuse women experience.
Women face physical and sexual abuse all the time.
Women constantly get unwanted comments, looks, sniggers, honks and disparaging, offensive, sexualised remarks like ‘I’d hold a knife to that’ (said by two men walking past Laura Bates*). We live in a society where ‘I feel rapey’ t-shirts are now sold on Ebay.*
It can be challenging for the amazing men
in our lives to understand the extent and danger to physical safety that just being
a female is.
Just because you might not see it or experience
it yourself, does not mean it is not happening.
Women routinely feel unsafe. We live in a culture where women are culturally trained to fear men, being outside, being mobile, being in public and being alone.
Verbal attacks, sexual assault, rape and street harassment are commonplace. Just ask a female friend or family member about getting public transport after dark.
Aside from all these issues, the personal alarm is also problematic because it puts the responsibility of criminal behaviour on the (would-be) victims. Women. As Laura Kipnis points out “I can think of no better way to subjugate women than to convince us that assault is around every corner”.
We place the responsibility of persistent and immediate danger on women, who then restrict their movements, reduce activities and live in a perpetual state of anxiety. That’s control.
Yup, the epitome of a modern, free, independent
woman.
Another issue is that the personal alarm suggests that women are unsafe only when out of the house – like when riding a bike – and that attacks are only perpetrated on the street by strangers. Yes, this happens a lot, but it is not the full picture.
The idea that women are only unsafe in public is a fallacy.
A Personal Safety Survey conducted in 2012 by the Australian Bureau of Statistics indicated that most instances of violence against women were perpetrated by someone known to them: around 74% of women who had experienced violence in the last 12 months, and 87% of women who had experienced violence since the age of 15, reported that the perpetrator was someone they know.[8]
Abuse of female cyclists occurs every day
Women know this abuse happens, but sadly, most men are unaware of the extent and impact gender and sexual harassment have on females and female cyclists.
A few recent news pieces have tried to
highlight the issue:
I am angry that the happiness and warmth that should be the focus for Mother’s Day is undermined by seemingly ‘nice and thoughtful’ gifts which are actually unchecked, unspoken and unseen consequences of the misogynistic control and abuse of women.
Perhaps a more apt sentiment for today is Happy Fearful Mother’s Day Cycling Mums!
I have hope though.
There are many amazing women and men who call out any behaviour that would make a mother, any woman, or any person, feel uncomfortable.
I salute these people.
I hope our cycling community shows it’s strength, voice and action to make sure ALL riders, including women, are made to feel welcomed, safe and respected every time they ride.
Perhaps then, we’ll have no need of panic alarms for female cyclists.
Here’s to hoping.
Have a safe Mother’s Day all.
Resources:
*Bates, L. (2018). Misogynation: The True Scale of Sexism. London, UK: Simon and Schuster.
My last post was an invitation to Brisbane’s upcoming BikeHack19 event. I have had a lot of interesting responses and conversations with friends and colleagues about this event and suggestions for pitches.
I asked Alison Turner, a dear friend, if she would like to come to BikeHack19 with me.
Alison and I have worked on a number of creative projects before. She not only has a head for business and project managing, but she is a skilled artist in her own right and I have called on her (many times!) when working on this-or-that thing either to cast her discerning eye over an idea, to practically help solve a design issue or just to join in making whatever it is I’m working on.
She is great company, a skilled artist, a flexible thinker and killer at scrabble – everything you want in a project buddy!
Unfortunately though, Alison can’t come to
BikeHack19.
But the offer got her thinking.
Alison worked for Australia Sailing for many years and was in charge of training and increasing participation in sailing in Queensland. So unbeknownst to me, she set her business prowess and program insights to good work. After doing some research of her own, she used her experience promoting sailing participation to the BikeHack19 cycling challenge and brainstormed some ideas.
The next time I saw Alison, she presented
me with her brainstorm (see below) and explained it in detail – it was spot on.
We chatted about the similarities in crossover
of participation issues between sailing and cycling – and how much transferability
there was between the two sports.
I love having people like Alison in our community.
She is an example of those who not only freely give their time and ideas to friends,
but who are equally excited to apply the same effort and passion to building a
more cohesive and active community – what a gift!
I am very appreciative to Alison.
Thanks so much for your ideas and time!
I will definitely be taking these ideas to
BikeHack19.
Here is the fourth and last in the US bicycle politics review essay series written by Dr Jennifer Bonham. This review detailed three key texts. The first post outlined the socio-political context to set the scene. The second post reviewed the book ‘Pedal Power: The quiet rise of the bicycle in American public life’ while the last post focused on Zack Furness’ ‘One Less Car: Bicycling and the Politics of Automobility’. This post looks at Jeff Mapes’ Pedaling Revolution: How Cyclists are Changing American Cities’ which rounds off a very comprehensive and informed discussion about the history and activities of bicycle politics in the USA. This book in an especially valuable inclusion to this discussion given that according to Dr Bonham ‘it comes the closest to conjuring a culture of cycling which values diverse mobilities’ of all the books reviewed. A massive thank you to Dr Bonham for sharing her research, thoughts and passion. Enjoy! NG.
Mapes, J. (2009). Pedaling revolution: How cyclists are changing American cities. Corvallis, OR: Oregon State University Press.
More Space
Jeff Mapes’ Pedaling
Revolution: How Cyclists are Changing American Cities targets a general
readership as he traces changes in the status and popularity of cycling in the
United States. A senior political reporter with The Oregonian, Mapes’
sympathy for bicycling is informed by debates over the livability of American
cities, health and the built environment, and the costs of suburbanization and
automobile-oriented transport systems. Mapes does not explicitly challenge
fundamental notions of technological progress or dominant values of
individualism and materialism. Rather, he argues, automobile-oriented transport
systems bring a range of problems—suburban sprawl, affordability, exclusion and
constraint— that will worsen into the future. His analysis is concerned with
the formal political institutions—parliament, elected and appointed officials
in all spheres of government, legislation, funding arrangements—he believes are
essential to increasing bicycle use.
Mapes introduces his
book with a description of the different people to be observed riding bicycles
in North American cities today. As he challenges cycling stereotypes, he is
also quite aware this latest turn to bicycling may be short lived, just one
more crest in a series of highs and lows that reach from the nineteenth to the
twenty-first centuries. The bright moments for “everyday” cycling in the United
States have occurred under “not so everyday” conditions. The 1940s boom came
with wartime petrol rationing and the 1970s boom amid the fuel shortages of the
oil crisis. But Mapes traces threads from the 1970s to the present day as he identifies
the people (bike advocates, bureaucrats, industry representatives,
politicians), maps the legislation (ISTEA), and describes the ideas and
programs (e.g. Safe Routes to School) he believes have enabled a recent
resurgence in cycling.
Once he has
positioned the United States on the brink of change, Mapes turns his attention
to the Netherlands for a glimpse of what the future might hold. He provides a
detailed description of the infrastructure, road rules, etiquette, legislation,
and funding arrangements in place in the Netherlands. Mapes emphasizes the
importance of the Dutch government’s political will in re-orienting the
transport system to accommodate all modes of transport (not just the
automobile) and, in contrast to Wray, he explains this re-orientation largely
in terms of the 1970s oil crisis.
Mapes, like Wray,
discusses the various roles played by bike advocates, advocacy groups, activist
events and sympathetic politicians in developing a culture of cycling in U.S.
cities. The discussion is rich with examples as he takes readers on a cycling
tour of three U.S. cities: the university town of Davis, California; Portland,
Oregon; and New York. Combining tour with commentary, Mapes describes the
streets he cycles along and uses buildings, landmarks, and pieces of
infrastructure as entry points into the network of people, organizations,
events and opportunities he argues have been instrumental in the development of
local cycling cultures. The “bicycle tour” through these cities is particularly
useful as it situates cycling within the broader context of debates about
public space, sub/urbanization, urban planning and transport. In doing this,
Mapes draws back from the car versus bike dichotomy bringing into view myriad
elements, actions and relations that make up the urban landscape and shape
mobility practices today.
Mapes’ cycling
advocacy is keen but measured. In the final chapters, he focuses on the three
issues he clearly considers to be at the heart of livable cities: cyclist
safety, health, and children’s independent mobility. He presents a useful
summary of the contrasting views of “cyclist safety” from prominent U.S.
cycling activists—including John Forester’s “vehicular cycling,” Randy
Neufield’s traffic calming approach and Anne Lusk’s segregated bikeways—and
discusses their implications for transport infrastructure, public space and the
conduct of the journey by bike.
These debates
currently reverberate in developed and developing countries across the globe.
As Mapes places the bicycle within a broader sub/urban context, he presents
research into the health benefits of cycling alongside discussions between
geographers, planners, transport, and health researchers on the role of the
built environment in facilitating— or not—active modes of travel. Finally,
Mapes examines the decline of cycling in children’s everyday mobility in the
United States and discusses the competing concerns over sedentary lifestyles,
children‘s independent mobility and parental responsibilities.
Pedaling Revolution is not explicit in its theoretical underpinnings nor does it problematize the power relations through which bicycles/bicycling/ bicyclists have been marginalized in contemporary American culture. Further, Mapes’ discussion of bicycle culture tends to be overshadowed by the role he attributes to politicians and bureaucrats in bringing about change. But what is crucially important about Pedaling Revolutionis that it places cycling within a broader spatial and mobility context than either Wray or Furness allow. In doing this, Mapes comes closest to conjuring a culture of cycling which values diverse mobilities.
Centering Cycling?
Each of these
books advocates for cycling as they explore its position in the United States
and reflect on bringing about change. They are important in their efforts to
persuade a broader audience—beyond the committed cyclist—of the benefits of
public investment in cycling; demonstrating alternative (more or less radical)
ways of being in the world; providing insights into how cycling advocates and
sympathizers have intervened in decision-making processes; the rich and
detailed examples of the individuals, groups, places, and processes that have
been pivotal in fostering change—and the pitfalls to be overcome.
However, their efforts to centre cycling within their respective analyses meet with mixed success. As Wray and Furness introduce cycling through a dichotomous relation with the automobile, the bicycle is immediately “de-centered” and, despite demonstrating alternative futures the struggle for change remains daunting. Their political strategy is to “grow” cycling cultures outward into the broader population so that an increasing number of people come into the “fold” of cycling. Arguably, Mapes retains cycling at the centre of the analysis through reference to broader spatial and mobility contexts. In doing this, his strategy is to foster general conditions which value cycling—a culture which welcomes bicycling without demanding mass participation or positioning cyclists as victims needing concessions or protests.
Dr Jennifer Bonham is a senior lecturer in the School of Social Sciences, University of Adelaide. She has a background in human geography specializing in urbanization and cultural practices of travel. Her research focuses on devalued mobilities as it explores the complex relationship between bodies, spaces, practices, and meanings of travel. Her current research explores the gendering of cycling. Jennifer’s work is informed by a concern for equitable and ecologically sustainable cities.
Contact details: School of Social Sciences, University of Adelaide, Adelaide 5005, Australia. jennifer.bonham@adelaide.edu.au
This excerpt is from: Bonham, J. (2011). Bicycle politics: Review essay. Transfers, 1(1), 137. doi:10.3167/trans.2011.010110.
Images and hyperlinks included here are not part of the original publication.
Welcome back to this third post in a series of four taken from Dr Jennifer Bonham’s Bicycle Politics Review Essay IDEAS IN MOTION: ON THE BIKE. In the first post, Dr Bonham provided the background and context for the three bicycle politics books she reviews. The second post reviewed the book ‘Pedal Power: The quiet rise of the bicycle in American public life’. In this post, she reviews Zack Furness’s ‘One Less Car: Bicycling and the Politics of Automobility’. This book is a personal favourite of mine. I have a copy on my desk and I love that this book is a reiteration of Furness’s PhD Dissertation. It was also the first time I saw the term BIKETIVISM. Books like this one keep me motivated in my own community bicycle PhD research. If you get a chance, read this book. It is comprehensive, thought-provoking, full of interesting bike facts and is incredibly well-researched. A must read for any cyclist! Thanks again to Dr Bonham. Enjoy! NG.
Furness, Z. (2010). One less car: Bicycling and the politics of automobility. Philadelphia, PA: Temple University Press.
Less Cars
Zack Furness is an assistant professor in cultural studies at Columbia College, Chicago. His book One Less Car: Bicycling and the Politics of Automobility is a revised version of his Ph.D. dissertation and it is impressive in its scope and detail. Furness carves out a place for cycling both in the formation of automobility, which he locates in the late nineteenth century, and as a point of resistance to it. The bicycle, he argues, played a central role in a series of cultural transformations in “mobility, technology, and space” (16). These transformations included the construction of a “mobile subjectivity,” the development of a meaning system around personal transportation and the disciplining of bodies and environment to long-distance, independent mobility (17).
These transformations, according to Furness, were key components in the new “system of automobility.”9 Following from this, the automobile did not initiate cultural transformations; rather, the automobile itself “made sense” because these transformations had already taken place. Furness acknowledges cycling was not alone in bringing about some of these changes but he regards it as a proto-type of automoblity so that “automobiles provided an almost logical solution to the culture of mobility forged by cyclists and the bicycle industry” (45).
Having argued that cycling played a key role in the formation of automobility, the substantive chapters of One Less Car operate as point and counterpoint to the automobile norm. In Chapter Three, Furness discusses the early twentieth century growth in automobile ownership, legislative changes regarding conduct on the streets, and the modification of public space to facilitate motor vehicle movement. These changes are explained in terms of the automobile-industrial complex, which facilitated production and consumption on a massive scale. The discussion then turns to cycling as a point of resistance to this complex. Furness locates the emergence of U.S. cycle activism in the 1960s/1970s and places cycling organizations, advocacy groups and activism at the centre of challenges to the automobile that run through to the present day. Like Wray, he explores the role of different political actors and actions in creating alternative mobility cultures, illustrating the case with a detailed and multi-layered account of Critical Mass.10
Moving to contemporary society, Furness is particularly concerned with the mechanisms by which cycling is devalued in relation to the automobile and focuses on specific cultural products—film, television shows, road- safety pedagogy and news reporting—for the way they have created and maintained automobile norms. Bike riding characters in films such as Pee- wee’s Big Adventure and television shows like Get a Life infantilize and emasculate cyclists while road-safety “documentaries” effectively prepare child-bicyclists to become adult-motorists. In terms of news reporting, he argues, cycling has been represented favorably in times of crisis—the war effort and petrol rationing—but more recently power relations have been turned on their head as motorists are positioned as victims of the inept or elitist behavior of cyclists.
As a counterpoint to these negative representations, the remaining chapters offer thick descriptions of cycling sub-cultures in the U.S. These chapters are the real strength of One Less Car, offering insights into an aspect of U.S. cycling that, until recently, has been overlooked. They examine the linkages within specific sub-cultural groups between bicycling, environmentalism, community development and anti-consumption. These include the “Do it Yourself/Do It Ourselves” ethos of the punk musicians who have embraced bicycling, bike messengers and mutant bike clubs.
Furness also explores the important role of community bike projects within disadvantaged localities as they provide places for people to gather and access resources and knowledge that is usually unavailable. He examines the role that specific projects have played in supplying bikes to people within their own local communities and, with a more critical eye, the place of such projects in developing countries as they assist in creating alternative global networks.
Furness also examines the more problematic aspects of cycling sub-culture—the pervasive sexism of cycling in the U.S. and the assumptions that underpin bicycle projects in developing countries. Furness finishes the book with a brief review of the shift of bike manufacturing out of the U.S. to low-wage countries and contemplates the potential of the industry to once again provide employment in the U.S.
Furness attempts to place the bicycle at the centre of the analysis but, like Wray, he re-inscribes the bicycle/automobile dichotomy and despite paying careful attention to one set of cultural transformations he ignores others. Furness does not draw attention to the micro-political processes through which decisions about the material formation of cars and bikes have been (and continue to be) made. Nor does he relate the bicycle or the automobile to broader discussions in the late nineteenth century about the spatialization of activities and the development of cities, which included the urban industrial economy; urban efficiency, sub/urbanization and public health. Although Furness examines contestation within the various cultural transformations he describes, there is an air of finality in these transformations that offers little hope of change.
Finally, as Furness identifies bicycle activism as the key point of resistance to the automobile in the anti-freeway protests of the 1960s/1970s, he overlooks the efforts of local communities, built environment professionals, politicians, and academics in questioning freeway planning.
Notes
10. Critical Mass is a regularly staged bike ride in cities around the world that brings cyclists together in a blend of political statement and celebration of cyclists.
Dr Jennifer Bonham is a senior lecturer in the School of Social Sciences, University of Adelaide. She has a background in human geography specializing in urbanization and cultural practices of travel. Her research focuses on devalued mobilities as it explores the complex relationship between bodies, spaces, practices, and meanings of travel. Her current research explores the gendering of cycling. Jennifer’s work is informed by a concern for equitable and ecologically sustainable cities.
Contact details: School of Social Sciences, University of Adelaide, Adelaide 5005, Australia. jennifer.bonham@adelaide.edu.au
This excerpt is from: Bonham, J. (2011). Bicycle politics: Review Essay. Transfers, 1(1), 137. doi:10.3167/trans.2011.010110.
Images and hyperlinks included here are not part of the original publication.
This guest blog post by Jen Sheean is about the Brisbane Bicycle Film Festival. Onthe night, The Style over Speed crew rode from Brisbane city to the cinema at St Lucia, where the incredible cycOZ performed an infectious bicycle-inspired percussion set on arrival (see end photos). Last year, Bella and I entered our film Leki, which took out the People’s Choice Award. This year, I gave my tickets to Jen, a fellow singlespeed MTBer who had not been to the festival before. Not only did Jen have a good time, but she kindly wrote a summary of the films shown. Thanks so much Jen! See you all at the Brisbane Bicycle Film Festival next year! Enjoy! NG.
Brisbane Bicycle Film Festival 2019
Thanks to the generosity of Nina, my husband and I spent a slightly wet Friday night at the Schonell Theatre in UQ enjoying the Brisbane Bicycle Film Festival.
It was a wonderful night and very well-attended. As I understand it, the change this year to a bigger venue meant that the previously sold-out event still had some tickets available. This is a great development because, in my opinion, more people should head to it and see what it has to offer.
I plan to go again!
The first half of the night saw some announcements from Mark Bailey, the
Minister for Cycling (as I understand is his preferred title having moved on
from being mangocube), about the newly opened Gateway Bicycle Path and some
upcoming projects for more bicycle paths in the northern suburbs of
Brisbane. Announcements of more paths
are always a happy thing in this somewhat cycling challenged city of ours.
Space for Cycling is the organiser of the event and they should be
congratulated on how smoothly it ran.
Their drive to push for safer ways to travel by bicycle in the CBD
appears boundless – and I hope they see some decent success soon.
After the formalities, it was on to the short films competing for
prizes, including the People’s Choice Award which was won last year by a film in
which the indefatigable Nina was heavily involved.
Brisbane Bike Bites
These short films must be no more than 5 minutes and have some connection to both Brisbane and cycling. There was a range of approaches to these very broad criteria but that just added to the fun.
The first film was called I Love to Ride My Bicycle. It was a spiffy 1:37 long but it had everyone laughing from beginning to end. The concept was simple but brilliantly executed.
The next was The Gate. Another simple concept but the credits were the real star of this film. They were full of tongue-in-cheek references greatly appreciated by the audience – so much so that they (the film makers not the credits) took out the People’s Choice Award.
Pedal-mentry provided a fascinating look at a club that is populated by people who have customised their bicycles. Some of the creations were totally whacky! But the individuality shown by all of the bicycles is a testament to the creativity of their owners.
On the Fly followed a ride around Brisbane. Then it had a cat at the end. I really liked the cat.
Club Song Film was true to its name. It showcased the vocal talents of a penny farthing club. They all dressed in era-specific garb and seemed to be having a jolly old time in their singalong around the piano.
Inspired by a similar era, A Jaunty Jaunt took out first prize. The highlight was the juxtaposition of the olde time costume and penny farthing bicycle of the main character and his meeting with his modern day counterpart. It was a truly fun concept.
Finally, the last bite sized film was The Epic of Spring Hill. This faux-documentary about an intrepid pair attempting to summit Spring Hill was a delight from start to finish. The bike skills on display while riding City Cycles were impressive but I particularly liked when they decided to climb the steps up to the summit using a rope and the lead climber thought briefly about cutting the rope holding his companion. Spoiler alert: They did reach the summit by bike but it appears their claim to be the first to do so has been disputed.
The Main Feature
These very clever short films were followed by the main feature. The Bicycles of Wrath is a film in which 5 mates from Victoria decide to follow, by bike, the route taken by the ill-fated Joad family in the Steinbeck novel, The Grapes of Wrath.
It was beautifully done and showcased the generosity of those with little to give in a way that nicely mirrored Steinbeck’s underlying theme. I truly enjoyed it. I’d recommend it to anyone who is interested in Steinbeck, bicycles, travel or human nature.
We left the event wondering how it is we’d never been before.
That said, we will be there next year and I recommend you consider going as well!
The other day I was riding my bike along the foreshore. It was a busy day, with cyclists, pedestrians and families all out enjoying the sunshine. It made me happy and I thought how nice it would be to interact more with the environment and people around me.
It reminded me of theBow Bells Ring project by artist Colin Priest, which was an installation commissioned as part of the 2011 London Olympics.
It perfectly captures everything this blog holds near and dear. So for those who have not heard of this project before – here is ye olde favorite community bike project gem. Enjoy!
What is Bow Bells Ring?
The idea is simple. UK artist Colin Priest collected 100 bicycle bells of all kind of sizes, shapes and loudness and installed them strategically along well-used public paths.
Each bell was attached to a small wooden stick and had its number and a little blurb detailing the project.
Then, each bell was installed at critical experimental points along a public route linking the Greenway, Capital Ring towpath and Stratford High Street. Visitors could download an app to get a tour map of all the bell locations.
Cyclists, pedestrians and locals could ring the bells and interact with the project however they liked. Priest found that some of the bells were modified by passers-bys (de/increasing loudness).
This project not focuses on bicycles and active transportation, but also uses recycling and low-tech approaches. It is innovative and encourages community engagement and an appreciation for the local environment.
What more could you want in a community bike art installation?!
The aim was to highlight safety and interactivity, promote use of local public spaces, increase awareness for biking and community interaction, and to bring some happy cheer to the area.
The installation followed the main bikeways through some gorgeous parklands, along a river and through the urban green spaces. The bells were also thoughtfully situated in order to reflect the environments, the surrounding locals who live there and to encourage a little more participation as people moved through the social and environmental surrounds.
Below is a video of Colin Priest explaining his project.
This project was commissioned by View Tube Art, as part of Bicycle Wheel for the CREATE11 Festival. Bow Bells was funded by the Arts Council England.
This idea would be a lovely addition to any bicycle pathway.
I’d like to see more interactive bicycle-inspired community art installations like this.
Here’s to hoping!
All images are stills taken from the two View Tube videos included in the blog.